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1. en.wikipedia.org › wiki › Jonathan_TunickJonathan Tunick - Wikipedia

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   Contents. Jonathan Tunick. Jonathan Tunick (born April 19, 1938, New York City) is an American orchestrator, musical director, and composer, and one of twenty-one people to have received the " EGOT " honor of winning all four major American show business awards: the Emmy, Grammy, Oscar, and Tony. [ 1 ] He is best known for orchestrating the ...

2. www.playbill.com › article › how-2-phone-callsHow 2 Phone Calls Changed the Life of Frequent Sondheim ...

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   Jul 7, 2023 · Tony winner Jonathan Tunick, currently represented on Broadway with his orchestrations for the Tony-nominated revival of Sweeney Todd, was Stephen Sondheim’s orchestrator of choice, arranging ...

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3. www.nytimes.com › 2024/01/10 › theaterThe EGOT Winner Behind Sondheim’s Signature Sound

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   Jan 10, 2024 · The EGOT Winner Behind Sondheim’s Signature Sound. For Jonathan Tunick, an early love of “Tubby the Tuba” led to a career as an orchestrator. He talks about his Sondheim partnership, and ...

4. www.playbill.com › article › a-life-in-the-theatreA Life in the Theatre: Orchestrator, Composer and Music ...

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   "The orchestra is one of the theatre's big secrets," says orchestrator, composer and music director Jonathan Tunick. "It can express the unspoken; it can express character and it can express subtext.

5. artdaily.com › news › 165759The EGOT winner behind Sondheim's signature sound

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   Jan 13, 2024 · Sondheim himself called Tunick the “best orchestrator in the history of the theater” during a 2011 video interview with Sony Masterworks. His work can be heard in three very different Sondheim musicals on New York stages right now: “Sweeney Todd,” “Merrily We Roll Along” and Sondheim’s posthumous musical, “Here We Are.”

6. inside.bard.edu › news › new-york-times-profileThe New York Times Profiles Jonathan Tunick ’58, “The EGOT ...

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   Jan 17, 2024 · In a profile of the career of Bard alumnus Jonathan Tunick ’58, King asked many experts what, exactly, an orchestrator does. For his part, Tunick refers to his work as “lighting for the ears.” Listening to a demo of Stephen Sondheim’s “Losing My Mind” is a very different experience from the final product available on the original cast recording of the musical Follies.

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   How did Jonathan Tunick become an orchestrator?

   • For Jonathan Tunick, an early love of “Tubby the Tuba” led to a career as an orchestrator. He talks about his Sondheim partnership, and creating a sound that “can hint at unspoken secrets.” “Lighting for the ears” is how Jonathan Tunick describes the work provided by an orchestrator.

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   Who is Jonathan Tunick?

   • Jonathan Tunick (born April 19, 1938, New York City) is an American orchestrator, musical director, and composer, and one of eighteen of the "EGOT" – people to have won all four major American showbusiness awards: the Emmy, Grammy, Oscar, and Tony.

   Jonathan Tunick - Wikipedia

   en.wikipedia.org/wiki/Jonathan_Tunick

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   How did Jonathan Tunick create 'lighting for the ears'?

   • He talks about his Sondheim partnership, and creating a sound that “can hint at unspoken secrets.” “Lighting for the ears” is how Jonathan Tunick describes the work provided by an orchestrator. He said the orchestra can produce “its own shadings of light, darkness, warmth and texture to the music and lyrics.”

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   How does Tunick orchestrate a Broadway show?

   • Typically, for a Broadway show of the kind Tunick might orchestrate, the composer provides the vocal part along with some form of accompaniment. That accompaniment can be a basic chord sheet, a fully realized piano part or anything in between.

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   How did one piece of music affect Jonathan Tunick?

   • ONE PIECE OF MUSIC made a big impression on the young Jonathan Tunick: “Tubby the Tuba,” the 1945 children’s song, centers on a forlorn tuba who longs to play the melody instead of just the bass line. Much like “Peter and the Wolf,” the song highlighted the distinct characters of the individual instruments of the orchestra.

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   Does Jonathan Tunick have a nose?

   • The short answer: Jonathan Tunick. “I seem to have a nose for the theater, and it’s really like that,” Tunick, the prolific Broadway orchestrator, said during an interview in his book-lined study on the Upper West Side. “If something works, you can almost smell it.”

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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8. www.facebook.com › msmnyc › postsA fascinating read in The New... - Manhattan School of Music

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   A fascinating read in The New York Times about Broadway orchestrater Jonathan Tunick and his work helping create the sound of Stephen Sondheim. We are grateful for the time Mr. Tunick has spent in...