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  1. This was a period of high productivity for her, during which she worked extensively on music for the theater and the cinema. [3] Karaindrou has stated that her own personal style emerged in working on soundtracks and that the relationship between images and movements created a new space for her to express emotions.

  2. Karaindrou's Paris years (1969-1974) also coincided with that city's most vigorously creative jazz era and the composer listened appreciatively. After a long period in which classical music had been has entire focus, she was awakening to the other forms- inevitably, since her studies immersed her in the folk music of the whole world.

  3. This was a period of high productivity for her, during which she worked extensively on music for the theater and the cinema. [3] Karaindrou has stated that her own personal style emerged in working on soundtracks and that the relationship between images and movements created a new space for her to express emotions.

  4. Mar 21, 2005 · The Weeping Meadow, Karaindrou's latest score, is a hauntingly beautiful piece of music that hovers in the air, only occasionally touching down into something more specific. Based on the image of a landscape in the midst, the music has a serenity, occasionally interjected with melancholy, linking to the film's characters who struggle to find ...

    • John Kelman
  5. Mar 1, 2013 · Request full-text PDF. To read the full-text of this research, you can request a copy directly from the author.

  6. Jan 7, 2022 · Karaindrou has also been fascinated by film from childhood, when she watched an open-air cinema from her bedroom window on summer nights. By the 1970s she was writing film and theatre scores, and her artistic development reached a turning point in 1979 with her music for Christoforos Christofis’s Periplanissi (Wandering) when she discovered a new freedom to respond to the movement of the ...

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  8. Feb 18, 2013 · A grandmother herself, Karaindrou has turned down numerous offers to work abroad and chosen instead to ride out the crisis with her family, limiting her expenses to the necessities. “I am not interested in luxuries,” she said. “If I had wanted a lot of money, I would have written all the songs that were demanded of me and said yes to all ...

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