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Karaindrou has stated that her own personal style emerged in working on soundtracks and that the relationship between images and movements created a new space for her to express emotions. Her first soundtrack album was released in 1979 for the movie Periplanissi by Christoforos Christofis.
Feb 18, 2013 · Karaindrou has seen her fair share of deprivation and crisis. She was in the resistance movement against the 1967-74 Greek junta, moving to Paris for the duration of the dictatorship, where she also participated in the May 1968 student protests in the French capital.
Mar 21, 2005 · Listen to any of her five previous recordings on ECM and one's imagination is immediately freed to evoke images more personal; conversely, viewing the stills from the films, in the booklets that accompany the discs, creates an inextricable link to Angelopoulos' own inventions.
Her ethnomusicological background and her work with the radio have equipped her to proselytize for the preservation of the old instrumental and vocal forms, and Greek tradition seems to be confirmed in her music by the presence of the dulcimer-like santouri and the clarinet as lead voices.
Karaindrou has stated that her own personal style emerged in working on soundtracks and that the relationship between images and movements created a new space for her to express emotions. Her first soundtrack album was released in 1979 for the movie Periplanissi by Christoforos Christofis.
Jun 26, 2018 · Karaindrou first met Theo Angelopoulos in 1980 when he heard her music for the film Wandering by director Hristoforos Hristofis. He asked her, along with two other composers, to write the music for his film Alexander the Great.
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Nevertheless, Karaindrou's music, far from a dry experiment in ethnomusicology, might be a channeling of Euripides's soul, or perhaps a channeling of the spirit of ancient Greece itself. Calling it "spellbinding" is more than just using a figure of speech.
