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Jun 18, 2018 · Abstract. The aim of this article is to chart sets of emotions and affects within medievalism over a longue durée. By “medievalism” I mean here chiefly artistic, cultural, and political reactions to the idea of the Middle Ages; reducing this even further, one could argue that “medievalism” is feeling about the Middle Ages at any given ...
- David Matthews
- 2018
Mar 18, 2024 · Women’s anger was believed to confirm their inherent weakness and inability to control their emotions. But while elite medieval women were discouraged from expressing their feelings in daily ...
May 5, 2024 · The freedom of expression, societal norm-challenging, and thought-provoking qualities of art have long been lauded. The complex problem of censorship, however, has caused the art world to struggle throughout history. The limits of artistic expression have frequently been met with limitations due to repressive regimes and cultural sensitivities. This blog post explores the hotly contested
However, the recent success of the term in contemporary social sciences, through such expressions as “the affective turn” or “the turn to affect” and the correlated “affect theory,” complicate the landscape, as they designate a turn to the neurosciences of emotions—an essentialist and biologically wired conception of emotion. 12 As far as there is consistency in the field, 13 ...
- Damien Boquet, Piroska Nagy
- 2016
Mar 4, 2019 · Art is the perfect time capsule to look at such a topic over time and I began with the first collection focusing on Egyptian Art. In this collection I will look at the representation of women in Renaissance art and some Baroque art. Again, my hope is that this collection will exemplify the power that was evident in a woman in this time period.
Sep 28, 2016 · An overview of the way consumer culture of the later Middle Ages helped establish identity for both men and women. Focuses particularly on clothing and household furnishings. Kurmann-Schwartz, Brigitte. “Gender and Medieval Art.” In A Companion to Medieval Art: Romanesque and Gothic in Northern Europe. Edited by Conrad Rudolph, 128–158.
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Repression is a psychological mechanism where individuals unconsciously block out painful or disturbing thoughts, memories, or emotions from their conscious awareness. This process is often used to protect the self from anxiety and discomfort but can also lead to significant influences on behavior and creativity, particularly in artistic expression. In understanding artist biographies and ...
