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Aug 8, 2016 · Over the course of his life he saw music change dramatically as the world moved from one century to another. Yet, his music stood grounded and his style remained consistent. Claude Debussy called Camille Saint-Saens, “The musician of tradition”.
Camille Saint-Saëns--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance.
- Camille Saint-Saëns
- Saint-Saëns Wrote Music “As An Apple Tree Grows Apples”
- Saint-Saëns Founded The Societé Nationale de Musique
- “Art Is Intended to Create Beauty and Character”
- “A Most Irritable Man”
- Recommended Recording – The Kanneh-Masons’ Carnival
Camille Saint-Saëns’s works encompass every genre from 13 operas, including Samson et Dalila, to piano études that have helped to form performers’ techniques for over a century. There is chamber music galore, notably two fabulous cello sonatas; two concertos for that instrument, five for piano and three for violin – though we only seem to hear No. ...
Throughout, Camille Saint-Saëns wrote music, as he put it, “as an apple tree grows apples”. Nevertheless, he was something of a compositional magpie, collecting influences and novel colours the way a chef collects spices: a bit of paprika from Spain for the Havanaise for violin and orchestra, graphically Middle Eastern flavours for the ‘Egyptian’ P...
Back in Paris after France’s ignominious defeat by Prussia, in 1871 Saint-Saëns joined forces with the singer Romain Bussine and a group of composers and writers, including Fauré, Henri Duparc, César Franck, Jules Massenet and many more, to found a new Societé Nationale de Musique. The idea was to promote French music and encourage its creation. Un...
But what of his own musical philosophy? “Art is intended to create beauty and character,” he wrote. “Feeling only comes afterwards and art can very well do without it. In fact, it is very much better off when it does.” All that fluidity, flamboyance and sparkle was in some ways a mask for a troubled man. As time went by, perhaps it became part of h...
Saint-Saëns’s uncompromising personality made him plenty of enemies. Sir Thomas Beecham, who conducted the composer in his own piano concertos, described him as “a most irritable man”; and once he rebuffed a dinner invitation from a fan who begged, “But could you not be very nice, just for me?” by saying: “I don’t want to be nice to you.” There wer...
The Kanneh-Masons’ album Carnival is a very special collaboration featuring all seven “extraordinarily talented” (Classic FM) Kanneh-Mason siblings, Academy Award-winning actor Olivia Colman, and children’s author Michael Morpurgo. Carnival includes new poems written by War Horse author Morpurgo to accompany Saint-Saëns’ humorous musical suite Carn...
- Jessica Duchen
The Second (1896) signals a stylistic change in Saint-Saëns's work, with a lighter, clearer sound for the piano, characteristic of his music from then onwards. [120] The First Cello Sonata (1872) was written after the death of the composer's great-aunt, who had taught him to play the piano more than thirty years earlier.
Saint-Saëns was the best of all musician in France, who played Richard Wagner's music and he taught his pieces during his tenure at the École Niedermeyer and premiering the March from Tannhäuser. He knew several Wagner’s compositions, such as Lohengrin, Tristan und Isolde, and Siegfried by mind.
- France
- Romantique
Living a long and full public life, Charles Camille Saint-Saëns (October 9, 1835 - December 16, 1921) experienced a wide range of reaction to his music, from admiration of his youthful talents to rejection of his early operas and finally exasperation at the extreme conservatism of his old age.
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The Fox in the Henhouse, or Saint-Saëns at the SMI Download; XML; Saint-Saëns, Ravel, and Their Piano Concertos:: Sounding Out a Legacy Download; XML; Saint-Saëns and Silent Film / Sound Film and Saint-Saëns Download; XML; Beyond the Conceits of the Avant-Garde:: Saint-Saëns, Romain Rolland, and the Musical Culture of the Nineteenth ...
