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  1. en.wikipedia.org › wiki › ScherzoScherzo - Wikipedia

    Scherzo. A scherzo (/ ˈskɛərtsoʊ /, UK also / ˈskɜːrt -/, Italian: [ˈskertso]; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces ...

  2. musical form. scherzo, in music, frequently the third movement of a symphony, sonata, or string quartet; also, in the Baroque era (c. 1600– c. 1750), a light vocal or instrumental piece (e.g., the Scherzi musicali of Claudio Monteverdi, 1607), and, in the 19th century, an independent orchestral composition. In symphonies, sonatas, and string ...

    • The Editors of Encyclopaedia Britannica
  3. Historically, the scherzo evolved from a simple replacement for the minuet into a complex and expressive form in its own right. Composers such as Brahms and Tchaikovsky expanded its emotional range and technical demands, demonstrating the scherzo's versatility in the musical landscape.

  4. GEOGRAPHICAL NAMES. SCHERZO (Italian for "a joke"), in music, the name given to a quick movement evolved from the minuet and used in the position thereof in the sonata forms. The term is occasionally applied otherwise, as a mere character name. Haydn first used it for a middle movement quicker than a minuet, in the comparatively early set of ...

  5. Jun 11, 2018 · A movt. in S. Storace's 2nd pf. quintet (1784) is a scherzo. Beethoven was the real creator of the scherzo (as early as the Op.1 pf. trios), investing the movt. with a rough, almost savage humour, with marked rhythm, generally in 3/4 time. The contrasting section is known as the trio, but not all scherzos have trios.

  6. Jun 17, 2020 · The "Scherzo" has also been around for a long time. The word derives from the Italian for "joke." It was Haydn who first substituted it for the "Minuet" (as in his Op. 33 Quartets). But it was Beethoven who made it a revolution. It is generally faster than the Minuet, and even more playful.

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  8. Today, modern composers continue to experiment with the scherzo form, blending traditional elements with contemporary techniques. This evolution has allowed scherzos to maintain relevance in classical music while inspiring innovation across various genres, proving that even playful music can carry significant weight within artistic expression.

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