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1. techstyle.lmc.gatech.edu › bodies-and-bodyBodies and Body Language: How Poetry Can Teach Us to ...

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   May 22, 2017 · Listen to poet Mark Doty read “In Two Seconds: Tamir Rice, 2002-2014.” Having spent the semester studying embodiment and the ways in which we, as readers of the world around us, react to the ways that bodies communicate, students showed a keen ability to articulate the ways in which Doty’s body language and vocal intonation enhanced his message.

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     Bodies and Body Language: How Poetry Can Teach Us to...

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     This article is supported by a 2020 Poetry@Tech Pedagogy...

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     My English 1102 class this semester, “Sovereignty, Energy,...

2. www.tandfonline.com › doi › fullPoetry, Voice, Brain, and Body - Taylor & Francis Online

   www.tandfonline.com › doi › full

   Apr 20, 2020 · Sensation in Poetry and Voice Work. Many poets use the language of the senses in their descriptions of poetry. Emily Dickinson Citation [1870] 1951 described an intense physical reaction: “If I feel physically as if the top of my head were taken off, I know that is poetry” (254).

   • Author: Christina Shewell

   • Publish Year: 2020

3. voxpopulisphere.com › 2014/08/19 › djelloul-marbrookDjelloul Marbrook: The Body Language of Poetry - Vox Populi

   voxpopulisphere.com › 2014/08/19 › djelloul-marbrook

   Aug 19, 2014 · The poet may have in mind the body language of someone else, someone loved or hated. The poem will be made as the drawing is drawn. Someone, something is in mind. And the appropriate body language must be found, and, with luck, not savaged by its typesetting. The appearance of a poem on a page is a kind of celebration of its body language.

4. www.raymondqbooks.com › the-use-of-body-languageThe Use of Body Language as a Creative Tool in Poetry

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   Aug 27, 2024 · In the end, body language in poetry bears witness to the profound and unbreakable bond between the corporeal and the metaphysical, as well as the physical and the emotional. By using the expressive power of their bodies to create poetry that speaks to the reader’s bones as much as their minds, poets can produce works viscerally felt and not just academically stimulating.

5. www.culturalfront.org › 2012 › 12Poets and Body Language - Cultural Front

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   Dec 18, 2012 · Many professional poets express disdain toward Maya Angelou as a poet, but more of them really could learn something from her body language. Sanchez and Baraka will spend moments of their performances closing their eyes and showing a level of strain as they channel the look of musicians more so than conventional poets.

6. humanities.org.au › power-of-the-humanitiesThe language of poetry | why poetic expression matters

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   As it happens, the specific kinds of language-use traditionally associated with poetry that we call figures of speech – metaphor, synecdoche, metonymy, and personification; tautology, oxymoron, ellipsis, and so on – can all be found in everyday speech. But everyday speech simply will not tolerate their self-conscious or too frequent usage ...

7. People also ask

   How does the body feel poetry?

   • The body feels poetry, and both brain and body play a part in the poet’s shaping of it. Poet Derek Mahon (2016) wrote: “there is still a primitive beat in the human body, and the human psyche, and poetry answers to that beat” (1). As National Poet of Wales, Gillian Clarke (2008) wrote: “For me, poetry is a rhythmic way of thinking.

   Full article: Poetry, Voice, Brain, and Body - Taylor & Francis Online

   www.tandfonline.com/doi/full/10.1080/23268263.2020.1743502

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   Do poetry and deep body-voice work together?

   • This article addresses the question of how poetry and deep body-voice work share an ability to integrate body, mind, and feelings. Identifying five core poetry techniques, it discusses research that explains the way that poetry can affect brain and bodily sensations, as well as emotion and intellect.

   Full article: Poetry, Voice, Brain, and Body - Taylor & Francis Online

   www.tandfonline.com/doi/full/10.1080/23268263.2020.1743502

   See all results for this question

   What are the different types of language used in poetry?

   • As it happens, the specific kinds of language-use traditionally associated with poetry that we call figures of speech – metaphor, synecdoche, metonymy, and personification; tautology, oxymoron, ellipsis, and so on – can all be found in everyday speech.

   The language of poetry | why poetic expression matters

   humanities.org.au/power-of-the-humanities/understanding-the-language-of-poetry/

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   Why do we talk about bodies?

   • As mediums of communication, bodies afford us multiple ways to express ourselves: through gestures, facial expressions, vocal tone, and body language at large. As a subject matter, discussions of bodies foster important critical thinking strategies.

   Bodies and Body Language: How Poetry Can Teach Us to Communicate

   techstyle.lmc.gatech.edu/bodies-and-body-language-how-poetry-can-teach-us-to-communicate/

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   How does poetic language create a new world?

   • It creates anew the universe after it has been annihilated in our minds by the recurrence of impressions blunted by reiteration’ (Percy Bysshe Shelley). By drawing attention to itself, then, poetic language simultaneously talks about and revises the world that we experience, feel, and think.

   The language of poetry | why poetic expression matters

   humanities.org.au/power-of-the-humanities/understanding-the-language-of-poetry/

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   Why do poetry and voice go deep?

   • The relevance of the Triune Brain model to both poetry and voice is described, and a model of brain-voicing links is proposed, with a hypothesis as to why poetry, and certain kinds of voicing—metaphorically and literally—“go deep.”

   Full article: Poetry, Voice, Brain, and Body - Taylor & Francis Online

   www.tandfonline.com/doi/full/10.1080/23268263.2020.1743502

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8. www.poetryfoundation.org › audio › 76207What's a Body Language For? | The Poetry Foundation

   www.poetryfoundation.org › audio › 76207

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   Jun 25, 2012 · Producer Helena de Groot talks to poets about language, dreams, love and loss, identity, connection, anger, discomfort, the creative process, the state of the world and the world of the soul. Hard conversations are welcomed—laughter is, too.