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I Was a Communist for the FBI. I Was a Communist for the FBI is a 1951 American crime film noir produced by Bryan Foy, directed by Gordon Douglas and starring Frank Lovejoy. [3] The film is based on a series of stories written by Matt Cvetic that appeared in The Saturday Evening Post. [4] The stories were later adapted into a bestselling book ...
I Was a Communist for the FBI: A Riveting Tale of Espionage and Loyalty. “I Was a Communist for the FBI” is a compelling memoir by Matt Cvetic, recounting his astonishing true story of infiltrating the Communist Party in the United States during the 1940s. Cvetic’s narrative takes readers on a thrilling journey through espionage ...
May 9, 2012 · The whole story of Matt Cvetic and I Was a Communist for the FBI shows the public fascination with FBI covert actions and the counter-communist initiatives of the U.S. government. It is also indicative of something I have discussed many times on this blog, that being the potency of the public paranoia that the FBI and its affiliates cultivated throughout the 1940s, 50s, and 60s.
The whole story of Matt Cvetic and I Was a Communist for the FBI shows the public fascination with FBI covert actions and the counter-communist initiatives of the U.S. government. It is also indicative of something I have discussed many times on this blog, that being the potency of the public paranoia that the FBI and its affiliates cultivated throughout the 1940s, 50s, and 60s.
Produced by Bryan Foy for the Warner Bros. B-unit, I Was a Communist for the F.B.I. appears to have existed mainly to glorify efforts to root out the Communist Threat wherever it may (or may not have) existed, and to placate the House Committee on Un-American Activities (HUAC), which in 1947 had investigated Hollywood involvement by Communists and Communist sympathizers. The screenplay (by ...
- Gordon Douglas, Al Alleborn, Oren Haglund
- Frank Lovejoy
Nelson later angrily dubbed Cvetic "Pittsburgh's Number 1 in former."7 Others besides Cvetic had been informers, had mentioned many of the same names, had discussed Communist participation in various organizations, and had dwelt on the intricate and involved relationship between the UE and the Communists. Some of these witnesses in
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Cvetic helps her escape the Communists in violent sequences in which two Communists and an FBI agent are killed. Communists are portrayed in the film as cynical opportunists, racists who are interested only in seizing power on behalf of the Soviets and not in improving social and labor conditions in the U.S.
