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Nov 26, 2019 · Hawthorne complicates his story by weaving into it all sorts of subtleties and ambiguities. Brown’s guide in the woods is simultaneously fatherlike and devilish. He encounters a series of presumably upright townspeople, including eventually Faith herself, gathering for a ceremony of devil-worship.
Inspired in part by the Salem witch craze of 1692, the story is a powerful exploration of the dark side of human nature. How Hawthorne loads his story with such power is worthy of some closer analysis, but before we get there, you can read ‘Young Goodman Brown’ here. Let’s begin with a summary of the story’s plot.
Jun 4, 2018 · Hawthorne’s reaction to Rome, complicated by his daughter Una’s illness, was mixed. He never, as he put it, felt the city “pulling at his heartstrings” as if it were home. Italy would seem to present to Hawthorne not only the depth of the past he deemed necessary for the flourishing of romance but also a neutral territory, this time ...
Apr 28, 2022 · Brown protests that his family has traditionally revered the principles of Christianity, but the traveler provides numerous examples of his converts across all of New England, in both small town and state positions, in the fields of politics, religion, and the law.
In the recounting of the New England holiday set aside to honor a change in government, Hawthorne describes the non-Puritan parade-goers in the most joyful of terms. Their dress, their behavior, and even the happiness on their faces is very un-Puritan-like.
Hawthorne presented complicated variations on his ordinary themes of human community and human isolation in The Scarlet Letters. The outstanding example of both of these themes is Hester Prynne, as she was separated from the strict Puritan community.
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Aug 28, 2019 · The criticism, separating man from artist, is surprisingly modern in its approach, anticipating the New Criticism in its close readings and discussion of Hawthorne’s narrative strategies, particularly in his use of allegory and the influence of Sir Walter Scott.
