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1. The Ending Explained: At the conclusion of Citizen Kane, the audience witnesses the final moments of Charles Foster Kane’s life. As he takes his dying breath, Kane murmurs the word “Rosebud.”. The film then transitions to a scene where workers are seen burning Kane’s belongings, including his childhood sled, which bears the name ...
As Thompson begins to read these memoirs, the image of the page dissolves into a flashback to Kane’s childhood. A roughly chronological series of flashbacks tells Kane’s life story from five different points of view. The first flashback shows how Thatcher meets Kane. Kane’s mother, Mary, runs a boarding house in rural Colorado.
By the end of this article, you will have a better understanding of the enigmatic ending of this iconic film. 1. The Meaning of “Rosebud”. At the heart of the ending of “Citizen Kane” is the mysterious word “Rosebud.”. As Charles Foster Kane dies alone in his vast mansion, he whispers this word, leaving those around him puzzled.
- What Happens in The Ending of Citizen Kane?
- Rosebud Is A Reminder of Kane’s Innocence
- Rosebud Also Reflects Kane’s Resistance
- How Does The Ending Compare to Kane’s Real Life Inspiration?
- The Ending Can Be Compared to The Great Gatsby
- The Real Meaning of Citizen Kane’s Ending
The final scene of Citizen Kane reveals the meaning of "rosebud"as the staff of Xanadu catalog and discard most of their late employer’s belongings. This includes a sled that is thrown into the fireplace to burn. As the flames slowly feed on the wood, the camera zooms in on the word “rosebud” painted on it, a reminder of Charles Foster Kane's child...
Going by the flashback scenes in Orson Welles and Herman J Mankiewicz's screenplay, the antihero is introduced as an innocent eight-year-old who is happy in his own world, sliding through the snow on his sled. This is in stark contrast to Kane’s adulthood, which is marked with deceit, lies, and betrayal, both in terms of his personal and profession...
While Kane turned out to be quite an egomaniac, he always carried the spirit of resistance. In the flashbacks, he's so intent on not staying with Thatcher that he even strikes him in the face with the sled. Rosebud has always been a reflection of his attitude as he fought against his circumstances. Such a moral debate around its gray protagonist is...
It was already common knowledge that Citizen Kane was drawn mainly from the life of the ruthless media magnate and politician William Randolph Hearst, a theory that was further fleshed out with the actual history that Mank tried to explore. True to Kane’s fate, even Hearst had quite the downfall. With allegations of yellow journalism and disastrous...
Kane’s rise to fame and his eventual downfall, in the end, seem to reflect the hollowness of the so-called “Great American Dream," an ideal perhaps best reflected in classic American literature like the F. Scott Fitzgerald novel The Great Gatsby. Just like how Kane inherited the fortune amassed from Thatcher’s prudent investing, even Gatsby was gra...
While audiences in the 1940s would have loved watching an all-American hero rise from nothing and become a triumphant underdog, they instead witnessed a rather tragic ending with Citizen Kane. Orson Welles' movie establishes that its titular hero did achieve the fame and fortune he so desperately craved, but it also ended up costing him a lot. This...
- Staff Writer
Dec 20, 2010 · The essential ingredient that makes Citizen Kane a tale of existential significance is the collage of different characters from Kane’s past that offer testimonial commentary on his life. The firsthand account of these people creates a vital reality to the story that attempts to penetrate into the essence of Charles Foster Kane — the man — as he knew himself.
Recap of Citizen Kane. In a mansion in Xanadu, a vast palatial estate in Florida, the elderly Charles Foster Kane is on his deathbed. Holding a snow globe, he utters a word, "Rosebud", and dies; the globe slips from his hand and smashes on the floor. A newsreel obituary tells the life story of Kane, an enormously wealthy newspaper publisher.
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Mary Kane. Played by Agnes Moorehead. Kane’s mother. Mary gives her son away when she comes into a fortune. Trim and carefully controlled, she shows little emotion when turning Kane over to Thatcher. She’s also emotionless toward her husband, Jim, and she suspects he will hurt the young Kane, although Jim seems quite kind to him.
