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  1. Pozzo begins to answer the question, after much preparation involving his vaporizer spray, but gives a convoluted and contradictory response. Vladimir asks Pozzo if he wants to get rid of Lucky; Pozzo responds that he does and is taking him to the fair to sell him. Lucky begins to cry, and Pozzo hands Estragon a handkerchief to wipe away his tears.

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      While they wait, two other men enter. Pozzo is on his way to...

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      Pozzo. He passes by the spot where Vladimir and Estragon are...

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  2. Vladimir again asks if Pozzo wants to get rid of Lucky. Pozzo says he is on his way to the fair to sell Lucky, but that it would be better just to kill him. Lucky begins to weep, and Pozzo says, "old dogs have more dignity." Pozzo gives his handkerchief to Estragon and tells him to wipe away Lucky's tears. Estragon hesitates, so Vladimir says ...

  3. A summary of Act 2: Pozzo and Lucky Scene in Samuel Beckett's Waiting for Godot. Learn exactly what happened in this chapter, scene, or section of Waiting for Godot and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.

  4. Any number of polarities could be used to apply to them. If Pozzo is the master (and father figure), then Lucky is the slave (or child). If Pozzo is the circus ringmaster, then Lucky is the trained or performing animal. If Pozzo is the sadist, Lucky is the masochist. Or Pozzo can be seen as the Ego and Lucky as the Id.

  5. Lucky is treated unforgivingly by Pozzo. Often depicted as an old man, Lucky is forced to carry Pozzo’s baggage, is not permitted to rest, and is connected to him by a rope (or leash). He obediently does the majority of what Pozzo wishes, and a large portion of Pozzo’s dialogue is dedicated to giving Lucky various instructions (“Stop!

  6. Pozzo continues: Lucky, he says, is trying to impress him so he’ll keep him in his company. After Vladimir grills him with the same question over and over, Pozzo admits that he does indeed want to get rid of Lucky. In fact, he’s bringing him to the fair to get a good price, and adds that he has no shortage of slaves himself.

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  8. Pozzo makes Lucky dance and pontificate (“Think!”) for his own amusement and for the pleasure of Vladimir and Estragon. In act 2, the relationship changes somewhat. Lucky still plays the role ...

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