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1. www.sparknotes.com › lit › godotWaiting for Godot Act 1: Pozzo and Lucky Scene - SparkNotes

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   Pozzo begins to answer the question, after much preparation involving his vaporizer spray, but gives a convoluted and contradictory response. Vladimir asks Pozzo if he wants to get rid of Lucky; Pozzo responds that he does and is taking him to the fair to sell him. Lucky begins to cry, and Pozzo hands Estragon a handkerchief to wipe away his tears.

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     While they wait, two other men enter. Pozzo is on his way to...

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     Pozzo. He passes by the spot where Vladimir and Estragon are...

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   • Act 1: Pozzo and Lucky's Exit to Conclusion

     A summary of Act 1: Pozzo and Lucky's Exit to Conclusion in...

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   • Act 2: Pozzo and Lucky Scene

     A summary of Act 2: Pozzo and Lucky Scene in Samuel...

2. www.litcharts.com › lit › waiting-for-godotWaiting for Godot Act 1 Summary & Analysis - LitCharts

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   Pozzo and Lucky enter. Pozzo drives lucky like an animal with a rope around his neck. He carries a whip to drive him along, while Lucky carries a folding stool, a bag, a picnic basket, and a coat. Pozzo whips Lucky as they pass across the stage and just as they are leaving the stage, he stops Lucky suddenly, causing him to drop all his things.

3. www.sparknotes.com › lit › godotPozzo Character Analysis in Waiting for Godot | SparkNotes

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   Waiting for GodotPozzo. Pozzo, whom Estragon initially mistakes for Godot, is perhaps the most aggressive and antagonistic character in the play. In Act One, he wields his power by physically and verbally abusing his slave, Lucky, and by talking down to Vladimir and Estragon. Pozzo is a landowner and, in many stagings of the play, has a less ...

4. www.coursehero.com › lit › Waiting-for-GodotAct 1 (Lucky and Pozzo Arrive) | Summary - Course Hero

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   Summary. Vladimir and Estragon run and cower when they hear a "terrible cry." Lucky arrives, loaded down with baggage and trailing a long rope, which is tied around his neck. He is followed by Pozzo, who, holding the rope and a whip, whips Lucky and jerks his rope, making him fall down. Estragon initially thinks Pozzo might be Godot, mishearing ...

5. www.cliffsnotes.com › pozzo-and-luckyPozzo and Lucky - CliffsNotes

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   Any number of polarities could be used to apply to them. If Pozzo is the master (and father figure), then Lucky is the slave (or child). If Pozzo is the circus ringmaster, then Lucky is the trained or performing animal. If Pozzo is the sadist, Lucky is the masochist. Or Pozzo can be seen as the Ego and Lucky as the Id.

6. www.gradesaver.com › waiting-for-godot › essaysThe Relationship Between Pozzo and Lucky Esme Hood 12th Grade

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   Lucky is treated unforgivingly by Pozzo. Often depicted as an old man, Lucky is forced to carry Pozzo’s baggage, is not permitted to rest, and is connected to him by a rope (or leash). He obediently does the majority of what Pozzo wishes, and a large portion of Pozzo’s dialogue is dedicated to giving Lucky various instructions (“Stop!

7. People also ask

   How does Pozzo get rid of Lucky?

   • Vladimir asks Pozzo if he wants to get rid of Lucky; Pozzo responds that he does and is taking him to the fair to sell him. Lucky begins to cry, and Pozzo hands Estragon a handkerchief to wipe away his tears. Estragon approaches Lucky, but Lucky kicks him in the shins.

   Act 1: Pozzo and Lucky Scene - SparkNotes

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   What does Pozzo do to Lucky?

   • Pozzo enters, driving Lucky ahead of him by a rope around his neck. Vladimir and Estragon wonder if Pozzo is Godot, but he tells them that he is Pozzo and asks if they have heard of him. They tell him that they have not. Pozzo commands Lucky to put down his stool, and sits down and begins to eat some chicken.

   Act 1: Pozzo and Lucky Scene - SparkNotes

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   How does Pozzo regain his balance?

   • Pozzo puts his bag and basket back in Lucky's hands, and Lucky regains his balance, so that Vladimir and Estragon can let go of him. Pozzo thanks the two and prepares to leave, but realizes he has misplaced his watch. Lucky can only stand when he holds Pozzo's things.

   Waiting for Godot Act 1 Summary & Analysis | LitCharts

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   How does Pozzo order lucky to think?

   • Vladimir puts the hat on Lucky's head, but Lucky does nothing. Pozzo jerks the rope around his neck and orders him to think. Lucky begins to speak, but Pozzo stops him and orders him to back up, then turn to face the audience. He orders him to think again.

   Waiting for Godot Act 1 Summary & Analysis | LitCharts

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   How does Pozzo respond to a question?

   • Pozzo begins to answer the question, after much preparation involving his vaporizer spray, but gives a convoluted and contradictory response. Vladimir asks Pozzo if he wants to get rid of Lucky; Pozzo responds that he does and is taking him to the fair to sell him. Lucky begins to cry, and Pozzo hands Estragon a handkerchief to wipe away his tears.

   Act 1: Pozzo and Lucky Scene - SparkNotes

   www.sparknotes.com/lit/godot/section2/

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   Why is Pozzo called Lucky?

   • The name “Lucky” comes fromBeckett’s reasoning that this character is “lucky” not to have any further expectations, reiterating the nihilism that comes with the play. The relationship between Lucky and Pozzo is, on the surface (if anything with Beckett can be on the surface), a fairly cut and dry “master/servant” relationship.

   Waiting for Godot Essay | The Relationship Between Pozzo and Lucky

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8. www.enotes.com › topics › waiting-for-godotExploring Pozzo and Lucky's Relationship in "Waiting for Godot"

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   Pozzo makes Lucky dance and pontificate (“Think!”) for his own amusement and for the pleasure of Vladimir and Estragon. In act 2, the relationship changes somewhat. Lucky still plays the role ...