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  1. Vladimir then gets angry at Lucky for mistreating Pozzo. Pozzo calms down, but he realizes that he has lost his pipe and begins to get upset again. While Estragon laughs at Pozzo, Vladimir exits, apparently to go to the bathroom. He returns, in a bad mood, but soon calms down. Pozzo sits down again and begins to explain the twilight.

    • Full Book Summary

      While they wait, two other men enter. Pozzo is on his way to...

    • Character List

      Pozzo. He passes by the spot where Vladimir and Estragon are...

    • Mini Essays

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  2. Pozzo and Lucky enter. Pozzo drives lucky like an animal with a rope around his neck. He carries a whip to drive him along, while Lucky carries a folding stool, a bag, a picnic basket, and a coat. Pozzo whips Lucky as they pass across the stage and just as they are leaving the stage, he stops Lucky suddenly, causing him to drop all his things.

  3. Summary. Vladimir and Estragon run and cower when they hear a "terrible cry." Lucky arrives, loaded down with baggage and trailing a long rope, which is tied around his neck. He is followed by Pozzo, who, holding the rope and a whip, whips Lucky and jerks his rope, making him fall down. Estragon initially thinks Pozzo might be Godot, mishearing ...

  4. Pozzo makes Lucky dance and pontificate (“Think!”) for his own amusement and for the pleasure of Vladimir and Estragon. In act 2, the relationship changes somewhat. Lucky still plays the role ...

  5. Lucky is treated unforgivingly by Pozzo. Often depicted as an old man, Lucky is forced to carry Pozzo’s baggage, is not permitted to rest, and is connected to him by a rope (or leash). He obediently does the majority of what Pozzo wishes, and a large portion of Pozzo’s dialogue is dedicated to giving Lucky various instructions (“Stop!

  6. A summary of Act 2: Pozzo and Lucky Scene in Samuel Beckett's Waiting for Godot. Learn exactly what happened in this chapter, scene, or section of Waiting for Godot and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.

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  8. Any number of polarities could be used to apply to them. If Pozzo is the master (and father figure), then Lucky is the slave (or child). If Pozzo is the circus ringmaster, then Lucky is the trained or performing animal. If Pozzo is the sadist, Lucky is the masochist. Or Pozzo can be seen as the Ego and Lucky as the Id.

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