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Sep 5, 2023 · Pseudolus is a comedy with many elements of farce. While it pokes fun at the individual characters’ foibles, and its action hinges on stock devices such as deceit, disguise, and mistaken ...
He pays 2,000 drachmae. Study with Quizlet and memorize flashcards containing terms like Where does the action of the play take place?, Calidorus asks Pseudolus to read a letter out loud. Who is it from?, Calidorus asks Pseudolus to lend him a drachma. What does he intend to purchase with the single drachma? and more.
Alone on stage, Pseudolus boasts of his ability to carry about schemes. Soon Pseudolus encounters Harpax, the Macedonian soldier’s slave, who is looking for Ballio. Pseudolus pretends to be Ballio’s slave, Surus, and tells Harpax he can leave the money for Phoenicium with him. Harpax refuses, but he does leave a sealed letter from his master.
Class does not equal intelligence: With the stock character, the clever slave (played by Pseudolus), the audience gets a glimpse that, despite the assumptions that Pseudolus, a slave, cannot possibly outwit the upperclass citizens, Ballio and Simo, this indeed does occur. Pseudolus is able to prove just how clever he is by fooling multiple others in order to help his owner's son, Calidorus.
Pseudolus. Mosaic of Actors Preparing to Perform a Play. As in both the plays of Aristophanes and Menander, the roman playwright Plautus addresses the issues of class consciousness and status in his works. Plautus particularly addresses the influence that class and status had on ancient Roman society and thinking.
Just as Plautus expanded the role of the clever slave, he is likely to have inserted himself this scene of Simo’s praise of Pseudolus, a scene which borders on hero worship. In the last scene of the play, Simo is subject to remarkable mood swings. In 1291–91a he decides to be gentle to Pseudolus, just as in the last scene of the fourth act ...
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You’ll live” (96).Just as Pseudolus insults his intellectual inferior, Simo insults Pseudolus, his social inferior, calling him, among other things, “the worst human being alive” (1285). Ballio issues a long host of insults at his slaves and prostitutes, calling them “slackers” (132) and “asses” (136), claiming their ...
