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Aug 20, 2024 · 14. I – bVII – bVI – V. 15. I9 – IV9 – V9. 1. I – IV – V. Think of the I, IV, and V chords as the fodder that fuels most blues chord progressions. They are by far the most important chords in this genre, with 8-, 12-, 16- and 24-bar long progressions built around them. The I or the tonic chord tells us the home key.
12 Bar Blues. 12 Bar Blues. Understanding Music. 12 bar blues is a chord progression that defines the number of bars or measures in a typical blues song structure. In this lesson we are going to learn the standard blues progression, listen to some famous examples of 12 bar blues songs and learn to play some blues on the piano.
Aug 3, 2023 · A 12 bar blues divides into three four bar segments. In its simplest form, it’ll contain the tonic, subdominant and dominant chords. In the key of C, this would be C major, F major and G major. The first segment contains four bars of C major. The second segment contains two bars of F major and two bars of C major.
Sep 11, 2017 · It’s important whether you play the rhythm or lead. In fact, you may already know them or at least be familiar with how a typical blues song unfolds. A basic twelve bar blues is made of 3 chords. The 1st (root), the 4th, and the 5th chords of the major scale. Chords are usually identified in roman numerals I-IV-V.
You will probably be reminded of specific songs as you play the chords, because they are so common. Constructing The 12 Bar Blues. The 12 bar blues is made up of 12 bars (crazy, huh?) and yep… you guessed it.. the I, IV and V chords. Although there are many variations, the basic 12 bar blues follows a particular pattern of the three chords.
Play a 12 bar blues & improvise BY EAR. Here are a couple of examples of the 12 bar bluesin the key of C. 1st is the most basicpattern with a simple walking bass line. The next one has the slight variation in the chord pattern (also with a walking bass line.) This begins with 1 bar of C,then 1 bar of F,then continues through the pattern.
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For example, an A minor blues progression would typically be: Am7, Dm7, Em7 (1,4,5). However, sometimes a dominant 7th 5 chord is used to create more tension before the return "home" to the minor tonic. For example: Am7, Dm7, E7. In other words, we only change the 1 and 4 chords to minor.
