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The classic 12 bar Blues progression is one of the most popular progressions of the 20th century and it spanned beyond Blues into Jazz and even influenced traditional Gospel music. In addition to the 12 bar Blues progression, we’ll also learn the 1-4 chord progression that’s simple enough for you to get started with.
Step 3: Learn the 12-Bar Blues Form. Once you can play the 1-chord, 4-chord and 5-chord in C as dominant 7th chords (C7, F7 and G7), you’re ready to plug these chords into the traditional 12-bar blues form. This historical song form is the most commonly occurring compositional structure used to undergird blues music.
Jul 11, 2023 · Example: Fm | Ab | Bb7. At first glance, this may not appear a very bluesy chord progression at all. But have a listen to Jonny Lang’s massive hit, “Still Rainin’,” and you will be convinced. This progression offers great movement and has that classic road trip vibe to it too.
This is a very common blues chord progression. So instead of playing Gm7-C7 in the fourth bar we could play G7-C7, which are two dominant chords, the first a secondary dominant and the second is the true dominant of F7. We can substitute Dm7 in the ninth bar with D7 and create two following dominant to C in the eleventh bar as well.
Sep 11, 2023 · How to Play Blues Scales. To add some melody to your 12-bar blues, you can experiment with notes from the major and minor blues scales. The major blues scale has the following major scale degrees: 1, 2, ♭3,♮3, 5, 6. The flat notes are sometimes called the “blue notes.”. Here’s the major blues scale in G:
12 Bar Blues. 12 Bar Blues. Understanding Music. 12 bar blues is a chord progression that defines the number of bars or measures in a typical blues song structure. In this lesson we are going to learn the standard blues progression, listen to some famous examples of 12 bar blues songs and learn to play some blues on the piano.
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Next, we have an early rhythm and blues recording of “Since I Fell for You” by Annie Laurie (1924–2006) and the Paul Gayten Trio (1947). This tune is based on a common chord progression called the turnaround. However, Gayten’s approach to this chord progression features bluesy piano fills and altered dominant chords containing blue notes.
