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In addition to the 12 bar Blues progression, we’ll also learn the 1-4 chord progression that’s simple enough for you to get started with. Chord Progression #1 — “The 12 Bar Blues Chord Progression” Blues music has a classic 12-bar structure and it’s on 4/4 time.
Step 3: Learn the 12-Bar Blues Form. Once you can play the 1-chord, 4-chord and 5-chord in C as dominant 7th chords (C7, F7 and G7), you’re ready to plug these chords into the traditional 12-bar blues form. This historical song form is the most commonly occurring compositional structure used to undergird blues music.
Jul 11, 2023 · Example: Fm | Ab | Bb7. At first glance, this may not appear a very bluesy chord progression at all. But have a listen to Jonny Lang’s massive hit, “Still Rainin’,” and you will be convinced. This progression offers great movement and has that classic road trip vibe to it too.
Essentially, the blues is a specific progression that uses the C7, F7, and G7 chords. (For the sake of brevity, I’ll only look at playing blues in the key of C). The blues chord progression lasts 12 bars (thus the phrase “12-bar blues”) that move in a familiar pattern using those three chords. The chart below shows both the chords to play ...
May 10, 2024 · This blues form is a basic 12-bar blues, utilizing three basic blues chords: I7, IV7, and the V chord: All the chords are dominant chords, making this blues a very simple and common chord progression. If you have trouble memorizing chord progressions, break the 12-bar blues progression into sections of four bars.
Sep 11, 2023 · How to Play Blues Scales. To add some melody to your 12-bar blues, you can experiment with notes from the major and minor blues scales. The major blues scale has the following major scale degrees: 1, 2, ♭3,♮3, 5, 6. The flat notes are sometimes called the “blue notes.”. Here’s the major blues scale in G:
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This is a very common blues chord progression. So instead of playing Gm7-C7 in the fourth bar we could play G7-C7, which are two dominant chords, the first a secondary dominant and the second is the true dominant of F7. We can substitute Dm7 in the ninth bar with D7 and create two following dominant to C in the eleventh bar as well.
