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  1. Saint-Saëns c. 1880 Charles-Camille Saint-Saëns (UK: / ˈ s æ̃ s ɒ̃ (s)/, US: / s æ̃ ˈ s ɒ̃ (s)/, French: [ʃaʁl kamij sɛ̃sɑ̃(s)] ⓘ ; [n 1] 9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello ...

  2. Cello Sonata No. 1 in C minor: for cello and piano: Chamber music: 41: 1875: Quatuor en si bémol majeur pour piano et cordes: Piano Quartet in B ♭ major: for violin, viola, cello and piano: Chamber music: 43: 194: 1875: Allegro appassionato en si mineur: Allegro appassionato in B minor: for cello and piano (or orchestra) version with ...

  3. Browse the complete list of music pieces composed by Camille Saint-Saëns. ... Sonata. Bassoon Sonata, Op. 168 ... Romance sans paroles; Romance, Op. 27; Romance, Op ...

  4. The Woodwind Sonatas were among Saint-Saëns’s last finished compositions. Betsy Schwarm. Woodwind Sonatas, group of three sonatas for piano and a woodwind instrument composed by Camille Saint-Saëns and completed in 1921. The three complementary works are the Sonata for Oboe and Piano in D Major, Op. 166, the Sonata for Clarinet and Piano in ...

  5. Oct 9, 2024 · Camille Saint-Saëns’s works encompass every genre from 13 operas, including Samson et Dalila, to piano études that have helped to form performers’ techniques for over a century. There is ...

    • Jessica Duchen
  6. Camille Saint-Saëns, in full Charles-Camille Saint-Saëns, (born October 9, 1835, Paris, France—died December 16, 1921, Algiers [Algeria]), was a composer chiefly remembered for his symphonic poems—the first of that genre to be written by a Frenchman—and for his opera Samson et Dalila. Saint-Saëns was notable for his pioneering efforts ...

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  8. Apr 4, 2023 · The recent Warner 34 CD Saint-Saëns Edition devotes seven discs to this genre including sonatas for violin, cello and various wind instruments plus quartets, trios, quintets plus various miniatures. Given their attractive appeal the catalogue offers several alternatives to this new recording although not as many as perhaps the music deserves.

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