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  1. The Man Who Laughs opened on April 27, 1928, at New York's Central Theatre. Proceeds from the opening night were donated to the non-profit organization American Friends of Blérancourt. The film was released in the United States on November 4, 1928. The Man Who Laughs received two releases in the United Kingdom. The film originally released in ...

  2. Oct 5, 2023 · The Man Who Laughs, directed by Paul Leni, is a mesmerizing and haunting movie that has captivated audiences for decades. Released in 1928, this film is a compelling adaptation of Victor Hugo’s novel of the same name. With its gripping storyline, exceptional performances, and striking visuals, The Man Who Laughs has earned its place as a ...

  3. Also, happy first public domain year to the “Man Who Laughs!” This movie obviously had a massive budget for its time, a testament to how much money Universal Pictures was raking in from their previous gothic monster romances over the course of the 1920s, and this really benefits from the lavish production.

    • (13.8K)
    • Universal Pictures
    • Paul Leni
  4. Feb 15, 2020 · Another reason for the way Leni’s film was received was that “Universal had invested heavily in a silent film, which had begun preproduction three years prior to cinema’s sound revolution, and by 1928 was soon becoming an anachronism,” making The Man Who Laughs a film which was destined to critically fail even from its beginnings (Conrich 51-52).

  5. A press book for the original release of The Man Who Laughs (Universal 1928) Viewed today, The Man Who Laughs tends to suffer from the usual speeded-up motion of any silent film presented at modern projector speeds. This sadly diminishes its impact somewhat and one can only speculate why – particularly when such troubles are taken to restore ...

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  6. Sep 30, 2022 · Paramount’s Smile, in theaters Sept. 30, is the latest fright flick to benefit from a sinister grin.But the granddaddy of all scary smile films dates back to 1928, when Universal Pictures ...

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  8. Aug 17, 2020 · Adapted from Victor Hugo’s 1869 novel of the same name, The Man Who Laughs might set itself up to be a spiritual sequel to Wallace Worsley’s influential 1923 horror The Hunchback of Notre Dame (also adapted from Hugo). In both, a monstrous but innocent hero becomes embroiled in an erotic tangle and a clash of class in a capital city.