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October 9, 1968. 3 min read. Francois Truffaut’s “The Bride Wore Black” is intended, he tells us, as homage to Alfred Hitchcock. As homage, it succeeds. As Hitchcock, it doesn’t quite. What a relief. Truffaut is a master in his own right. His best films (“ Jules and Jim,” “ The 400 Blows “) have been personal. His weakest ones ...
Box office. $9.6 million [ 2 ] The Bride Wore Black (French: La Mariée était en noir; literally, "The Bride was in black") is a 1968 French drama thriller film directed by François Truffaut and based on the novel of the same name by William Irish, a pseudonym for Cornell Woolrich.
Jan 7, 2022 · It’s slightly surprising to find that Truffaut apparently regards Fahrenheit as more Hitchcock-orientated than, say, La Peau Douce, that love story cast in the style of a thriller. But future editions are undoubtedly going to contain two additional entries: François Truffaut (The Bride Wore Black) and Peter Bogdanovich (Targets).
The special quality of The Bride Wore Black, it’s apparent, is the floating airiness with which it dreams strange dreams.” 2 Julie is often introduced like an apparition, as in the striking reveal of her in a white gown that flutters in the wind, which she wears when meeting Bliss (Claude Rich), the first man she hunts.
Oddly, I just got a DVD of THE BRIDE WORE BLACK in the mail yesterday, one of many I've recently ordered. I have never seen this movie! I read the Cornell Woolrich book out by the pool about five years ago and enjoyed it, but I understand Truffaut took liberties with the book's ending.
Apr 11, 2015 · The Bride Wore Black. I guess it’s fairly well known that François Truffaut ’s 1968 film The Bride Wore Black was part homage to Hitchcock. It also marked the second time that Truffaut hired Bernard Herrmann to score one of his films — the first time being Fahrenheit 451 (1966). In one of those odd little coincidences, I stumbled across ...
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Nov 1, 2011 · Review: The Bride Wore Black. The film is a frigid and oddly static procession of Hitchcockian shout-outs. As befits a filmmaker who rarely failed to trigger ink ejaculations on the pages of Cahiers du Cinéma, the shadow of Alfred Hitchcock would loom heavily over the works of the young critics who took up cameras and formed the French New Wave.
