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Jun 4, 2021 · 7 min read. A history of filmmaking, surveillance, and subjective and objective framings of both, “All Light, Everywhere” is a nonfiction feature that plays like a season of brainy nonfiction TV compacted into two hours’ running time. Conceived by Baltimore-based filmmaker Theo Anthony, whose other location-specific, idea-driven projects ...
Jun 3, 2021 · “All Light, Everywhere,” Anthony’s new movie, ponders a more abstract, less earthbound array of subjects — the physiology of human vision, the history of photography, the ethics of ...
Objectivity, or the lack of it, has been a key talking point in nonfiction cinema since Robert Flaherty’s Nanook of the North (1922). Theo Anthony's third feature All Light, Everywhere reevaluates this notion and its interconnected meanings in a contemporary setting, drawing connections between colonial photographic methodologies of the 19th century and modern police technologies in Baltimore.
Feb 10, 2021 · The best nonfiction movies from Sundance 2021. ... tackles in All Light, Everywhere, ... Its largely Asian American student body is made up of kids who would be academic stars at any normal high ...
May 8, 2021 · All Light, Everywhere captures many paradoxes and biases of sight and photography, from the hellish to the transcendent, even deconstructing itself along the way to reveal its own omissions and selective emphases. Besides Anthony’s consistent presence in the film, in which he’s shown manipulating performances, shots, and editing rhythms, subtitled information and a ruminative, resonantly ...
Feb 2, 2021 · Dir/scr: Theo Anthony. US. 2021. 109mins. Watching is not a passive activity in All Light, Everywhere, the exceptional second feature from nonfiction filmmaker Theo Anthony.Scrutinising the very ...
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All Light, Everywhere gives a broad -- but not essential -- overview of the intersections between video surveillance technology and law enforcement. The documentary can be informative, but it ...
