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Jun 4, 2021 · 7 min read. A history of filmmaking, surveillance, and subjective and objective framings of both, “All Light, Everywhere” is a nonfiction feature that plays like a season of brainy nonfiction TV compacted into two hours’ running time. Conceived by Baltimore-based filmmaker Theo Anthony, whose other location-specific, idea-driven projects ...
Jun 3, 2021 · “All Light, Everywhere,” Anthony’s new movie, ponders a more abstract, less earthbound array of subjects — the physiology of human vision, the history of photography, the ethics of ...
Feb 5, 2021 · “All Light, Everywhere” is brilliant, vital criticism about American policing that also speaks to the limitless artistic potential of non-fiction filmmaking. Anthony received a special jury award for “Nonfiction Experimentation” for “All Light, Everywhere,” a testament to how the film is both experimental but incredibly insightful.
May 8, 2021 · All Light, Everywhere captures many paradoxes and biases of sight and photography, from the hellish to the transcendent, even deconstructing itself along the way to reveal its own omissions and selective emphases. Besides Anthony’s consistent presence in the film, in which he’s shown manipulating performances, shots, and editing rhythms, subtitled information and a ruminative, resonantly ...
Feb 2, 2021 · Dir/scr: Theo Anthony. US. 2021. 109mins. Watching is not a passive activity in All Light, Everywhere, the exceptional second feature from nonfiction filmmaker Theo Anthony. Scrutinising the very ...
Jan 31, 2021 · More sprawling than the clearly delineated sections of Rat Film, All Light, Everywhere is split into three chapters and an epilogue, but its areas of focus are spread throughout the film. We get a executive-guided tour of the company Axon (formerly TASER International, Inc.), who now have the vast market share when it comes to police body cameras; a Baltimore PD training session where ...
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All Light, Everywhere: Directed by Theo Anthony. With Theo Anthony, Keaver Brenai, Robert Cunniff, Ross McNutt. A far-ranging look at the biases in how we see things, focusing on the use of police body cameras.
