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Jun 4, 2021 · 7 min read. A history of filmmaking, surveillance, and subjective and objective framings of both, “All Light, Everywhere” is a nonfiction feature that plays like a season of brainy nonfiction TV compacted into two hours’ running time. Conceived by Baltimore-based filmmaker Theo Anthony, whose other location-specific, idea-driven projects ...
Jun 3, 2021 · “All Light, Everywhere,” Anthony’s new movie, ponders a more abstract, less earthbound array of subjects — the physiology of human vision, the history of photography, the ethics of ...
May 8, 2021 · All Light, Everywhere captures many paradoxes and biases of sight and photography, from the hellish to the transcendent, even deconstructing itself along the way to reveal its own omissions and selective emphases. Besides Anthony’s consistent presence in the film, in which he’s shown manipulating performances, shots, and editing rhythms, subtitled information and a ruminative, resonantly ...
Feb 2, 2021 · Dir/scr: Theo Anthony. US. 2021. 109mins. Watching is not a passive activity in All Light, Everywhere, the exceptional second feature from nonfiction filmmaker Theo Anthony. Scrutinising the very ...
May 28, 2021 · All Light, Everywhere. The connections among visual representation, the creation of knowledge, and political power are at the core of Theo Anthony’s documentary “All Light, Everywhere ...
- Condé Nast
ALL LIGHT, EVERYWHERE is an exploration of the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens. Explore an interactive companion of ...
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Objectivity, or the lack of it, has been a key talking point in nonfiction cinema since Robert Flaherty’s Nanook of the North (1922). Theo Anthony's third feature All Light, Everywhere reevaluates this notion and its interconnected meanings in a contemporary setting, drawing connections between colonial photographic methodologies of the 19th century and modern police technologies in Baltimore.
