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Sandro Botticelli was born Alessandro di Mariano Filipepi. His date of birth is not certain, but his father, who worked as a tanner, submitted tax returns that claimed Botticelli was two years old in 1447 and 13 years old in 1458. Therefore, art historians have assumed that he was born around 1445.
- Italian
- Florence, Italy
Jan 25, 2021 · Botticelli’s ascendant star rose alongside the reign of Lorenzo the Magnificent, who cultivated an elite circle of humanist scholars, art patrons, and bankers. Sandro Botticelli, Adoration of ...
- Angelica Villa
Alessandro di Mariano di Vanni Filipepi (c.1445[ 1 ] – May 17, 1510), better known as Sandro Botticelli (/ ˌbɒtɪˈtʃɛli / BOT-ih-CHEL-ee; Italian: [ˈsandro bottiˈtʃɛlli]) or simply Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was ...
Feb 25, 2022 · Sandro Botticelli, a Florentine artist, was perhaps the best humanist artist of the Early Renaissance, despite the fact that much of his background and influences are still unknown to us today. Botticelli’s artworks symbolize the peak of the Medici’s intellectual affluence in Florence, an affluent society that fostered the advancement of ...
- ( Head of Content, Editor, Art Writer )
Florentine artist Sandro Botticelli is credited for his contributions to the Italian Renaissance. Widely considered one of the most prolific painters of the 15th century, he is known for his large-scale paintings of mythological subject matter, including Primavera, an allegorical celebration of spring. This piece is one of the most important ...
- c. 1445 (Florence, Italy)
- Alessandro di Mariano di Vanni Filipepi
- May 17, 1510 (Florence, Italy)
- The Birth of Venus, Primavera
Sep 25, 2024 · Botticelli’s art from that time shows a use of ochre in the shadowed areas of flesh tones that gives a brown warmth very different from Lippi’s pallor. The forms in his paintings are defined with a line that is at once incisive and flowing, and there is a growing ability to suggest the character and even the mood of the figures by action, pose, and facial expression.
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Charles Dempsey, The Portrayal of Love: Botticelli’s Primavera and Humanist Culture at the Time of Lorenzo the Magnificent (Princeton, NJ: Princeton University Press, 1992). Luba Freedman, The Revival of the Olympian Gods in Renaissance Art (Cambridge: Cambridge University Press, 2003).
