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- Cultural appropriation is a contentious issue that deals with the ethics and respect involved in using elements from a culture not one’s own, particularly in contexts where there is a history of inequality and exploitation.
oxford-review.com/the-oxford-review-dei-diversity-equity-and-inclusion-dictionary/cultural-appropriation-definition-and-explanation/
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Mar 2, 2022 · Cultural appropriation is ‘retracted’ into the dominant subject to the extent that this appropriation can be upheld in symbolic terms: as a subjective entitlement to marginalised identities that may – or crucially, may not – overlap with objective conditions of ownership.
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Oct 21, 2023 · The biggest challenge is the contested concept of culture. Postcolonial theory has enabled a more fluid understanding and shown an emergence of marginalised groups articulating culture in their own terms.
Aug 30, 2021 · Cultural appropriation is a highly contested subject within the media and society more broadly, often provoking moral outrage. It is receiving increasing interest within the academy and the last 20 years have seen the publication of a number of important studies.
- Rina Arya
- 30 August 2021
- 2
- 15, Issue10
What defines cultural appropriation? Alamy. (Credit: Alamy) And why does concern about it matter? Bel Jacobs explores the cultural collaborations that work well, and why a 'spirit of equal...
One issue that complicates theoretical discussion of cultural appropriation is the fact that culture itself is a contested concept. In order for one culture to take from another, there has to be some shared understanding about the presence of boundaries separating cultures. In
Apr 3, 2017 · April 3, 2017. Last month, the long-running debate about cultural appropriation was rekindled when several protests over a painting at the Whitney Museum made national headlines. “Open Casket”...
May 15, 2024 · On this account, cultural appropriation is wrong if it perpetuates the lack of social recognition of certain groups, namely those that were colonized or otherwise oppressed, as cultural contributors despite their participatory role in the development of valuable cultural objects.
