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May 25, 2020 · Is it ever aesthetically permissible to engage in acts of cultural appropriation? This paper shows how recent work on aesthetic normativity can help answer this question.
- Phyllis Pearson
- phyllis.pearson8@gmail.com
- 2021
Mar 25, 2011 · Cultural Appropriation and the Arts, by James O. Young, provides an analytical, comprehensive overview of ethical and aesthetic issues concerning cultural appropriation. In his monograph, Young addresses important culture-related questions such as cultural membership, ownership and responsibilities. Thinking in aesthetic and moral categories ...
- Marianna Bicskei
- Marianna.Bicskei@wiwi.uni-goettingen.de
- 2011
Jul 12, 2018 · Cultural appropriation is generally understood as the taking or use of the cultural products of “cultural insiders” by “cultural outsiders” (Young 2005: 136). Cultural products can range widely, including stories, styles, motifs, artifacts, artworks, traditional knowledge, as well as representations of the members of a particular ...
Mar 2, 2022 · Our point is that cultural appropriation is an irreducible feature of Western understandings of aesthetic appreciation, not a domain that one can carve out neatly to produce general normative principles: that one ought or ought not be able to write about or paint x, for example; or, that one ought not participate in any form of ‘cultural ...
Jun 9, 2021 · Thus, cultural appropriation represents an unauthorized use or imitation of characteristics, techniques, and so on, from their cultural setting in a way that risks diminishing their cultural source and compromising their purpose.
- Paul Haynes
- 2021
Aug 16, 2023 · Cultural appropriation is a broad umbrella term for a number of phenomena related to the borrowing of elements of a culture other than one’s own. This chapter summarizes arguments that have been offered in recent debates among analytic philosophers and other commentators concerning the normativity of cultural appropriation.
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May 15, 2024 · On this account, cultural appropriation is wrong if it perpetuates the lack of social recognition of certain groups, namely those that were colonized or otherwise oppressed, as cultural contributors despite their participatory role in the development of valuable cultural objects.
