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  2. Mar 25, 2011 · Cultural Appropriation and the Arts, by James O. Young, provides an analytical, comprehensive overview of ethical and aesthetic issues concerning cultural appropriation. In his monograph, Young addresses important culture-related questions such as cultural membership, ownership and responsibilities. Thinking in aesthetic and moral categories ...

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  3. genous and minority cultures. Cultural appropriation is seen as inherently bound up with the oppression of minority cultures. Nevertheless, in this essay I will argue that cultural appropriation is often defensible on both aesthetic and moral grounds. In the context of the arts, at least, even

  4. Mar 15, 2010 · In this book, James O. Young examines the accusations, moral and aesthetic, against cultural appropriation in its many forms and for the most part finds them wanting.

    • Janna Thompson
    • 2010
  5. Apr 7, 2008 · Cultural appropriation is a critique of cultural borrowing, typically when a more powerful cultural group borrows cultural elements from a less powerful group.

  6. Cultural appropriation raises significant moral questions about who gets to use certain cultural elements in their art and for what purposes. It challenges the notion of artistic freedom by spotlighting the potential harm caused when artists exploit elements from marginalized cultures without permission or context.

  7. Art, broadly understood, exists across cultures, and non-art objects can become works of art through acts of creative appro-priation. Appropriators can be artists. A correct concept or definition of art will be adequate insofar as it tracks the metaphysics of art in general.

  8. Apr 10, 2009 · The Ethics of Cultural Appropriation undertakes a comprehensive and systematic investigation of the moral and aesthetic questions that arise from the practice of cultural appropriation.