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    • Appreciation or appropriation? The impacts of stealing culture
      • Cultural appropriation occurs when what is taken belongs to a culture that is not one’s own. A distinctive watermark of our time is the salience of this phenomenon in the public’s moral imagination, tending to focus on situations where a cultural material is taken out of context and worn solely for looks.
      ethics.org.au/appreciation-or-appropriation-the-impacts-of-stealing-culture/
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  2. Mar 25, 2011 · Cultural Appropriation and the Arts, by James O. Young, provides an analytical, comprehensive overview of ethical and aesthetic issues concerning cultural appropriation. In his monograph, Young addresses important culture-related questions such as cultural membership, ownership and responsibilities. Thinking in aesthetic and moral categories ...

    • Marianna Bicskei
    • Marianna.Bicskei@wiwi.uni-goettingen.de
    • 2011
  3. May 25, 2020 · Is it ever aesthetically permissible to engage in acts of cultural appropriation? This paper shows how recent work on aesthetic normativity can help answer this question.

    • Phyllis Pearson
    • phyllis.pearson8@gmail.com
    • 2021
  4. Aug 16, 2023 · Cultural appropriation is a broad umbrella term for a number of phenomena related to the borrowing of elements of a culture other than one’s own.

  5. Jul 12, 2018 · Cultural appropriation is generally understood as the taking or use of the cultural products of “cultural insiders” by “cultural outsiders” (Young 2005: 136). Cultural products can range widely, including stories, styles, motifs, artifacts, artworks, traditional knowledge, as well as representations of the members of a particular ...

  6. Jun 9, 2021 · Thus, cultural appropriation represents an unauthorized use or imitation of characteristics, techniques, and so on, from their cultural setting in a way that risks diminishing their cultural source and compromising their purpose.

    • Paul Haynes
    • 2021
  7. Aug 30, 2021 · Cultural appropriation is a highly contested subject within the media and society more broadly, often provoking moral outrage. It is receiving increasing interest within the academy and the last 20 years have seen the publication of a number of important studies.

  8. predicated on making a distinction between cultural "insiders" and "out siders," or "members" and "nonmembers." However, as a range of schol ars have pointed out, such distinctions have the potential to fall prey to a harmful cultural essentialism.11 Roughly, because essentialist theses about. 7Ibid., Preface.

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