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1. link.springer.com › article › 10Cultural appropriation and aesthetic normativity - Springer

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   May 25, 2020 · Is it ever aesthetically permissible to engage in acts of cultural appropriation? This paper shows how recent work on aesthetic normativity can help answer this question.

   • Author: Phyllis Pearson
   • Email: phyllis.pearson8@gmail.com

   • Publish Year: 2021

2. journals.sagepub.com › doi › fullThe appropriating subject: Cultural appreciation, property ...

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   Mar 2, 2022 · Cultural appropriation is ‘retracted’ into the dominant subject to the extent that this appropriation can be upheld in symbolic terms: as a subjective entitlement to marginalised identities that may – or crucially, may not – overlap with objective conditions of ownership.

3. Videos

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     What is Cultural Appropriation?

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     Origin of Everything:What is Cultural Appropriation? Season 2 Episode 7

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4. academic.oup.com › jcr › articleBetween Cultural Appreciation and Cultural Appropriation ...

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   Apr 3, 2023 · Cultural appropriation refers to the use of elements of one culture by members of another culture, in ways that are perceived as unacknowledged or inappropriate (Young and Brunk 2009; Ziff and Rao 1997).

5. compass.onlinelibrary.wiley.com › doi › 10Cultural appropriation: What it is and why it matters? - Arya ...

   compass.onlinelibrary.wiley.com › doi › 10

   Aug 30, 2021 · Cultural appropriation is a highly contested subject within the media and society more broadly, often provoking moral outrage. It is receiving increasing interest within the academy and the last 20 years have seen the publication of a number of important studies.

   • Author: Rina Arya
   • Published: 30 August 2021

   • Cited By: 2
   • Volume: 15, Issue10

6. onlinelibrary.wiley.com › doi › pdfThe Ethics of Cultural Appropriation | Wiley Online Books

   onlinelibrary.wiley.com › doi › pdf

   Apr 10, 2009 · Explores cultural appropriation in a wide variety of contexts, among them the arts and archaeology, museums, and religion. Questions whether cultural appropriation is always morally objectionable. Includes research that is equally informed by empirical knowledge and general normative theory.

7. academic.oup.com › mind › article-abstractCultural Appropriation and the Arts, by James O. Young.

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   Mar 15, 2010 · In this book, James O. Young examines the accusations, moral and aesthetic, against cultural appropriation in its many forms and for the most part finds them wanting.

8. People also ask

   Does cultural appropriation have a moral dimension?

   • While most work on cultural appropriation has focused on its moral dimension, Rudinow ( 1994) and Young ( 2008) are two notable exceptions. Both Rudinow and Young take up the question of whether or not those who engage in cultural appropriation will produce works that are necessarily aesthetically flawed.

   Cultural appropriation and aesthetic normativity | Philosophical Studies

   link.springer.com/article/10.1007/s11098-020-01475-2

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   Is cultural appropriation an aesthetic achievement?

   • Employing this framework, I argue that insofar as acts of cultural appropriation are seldom aesthetic achievements, many agents who engage in culturally appropriative aesthetic activities act against their aesthetic reasons. A highly skilled artist engages in a particularly artistic act of cultural appropriation.

   Cultural appropriation and aesthetic normativity | Philosophical Studies

   link.springer.com/article/10.1007/s11098-020-01475-2

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   What is cultural appropriation?

   • Throughout my discussion, I will understand cultural appropriation to be the act of engaging in the cultural practices of cultures to which one is an outsider. 6 While most work on cultural appropriation has focused on its moral dimension, Rudinow ( 1994) and Young ( 2008) are two notable exceptions.

   Cultural appropriation and aesthetic normativity | Philosophical Studies

   link.springer.com/article/10.1007/s11098-020-01475-2

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   Is cultural appropriation anti-art?

   • “The appropriations critique—because it doesn’t start from a place of appreciation, because it views art merely as a political tool, because it erases artists’ perspectives from the conversation—is anti-art.” 22 His point is important, particularly when our focus is on the aesthetic import of cultural appropriation.

   Cultural appropriation and aesthetic normativity | Philosophical Studies

   link.springer.com/article/10.1007/s11098-020-01475-2

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   Is cultural appropriation a moralistic mandate?

   • Consequently, in relation to the cultural appropriation discourse, individuals are oriented toward a “moralistic mandate” (Giesler and Veresiu 2014, 842) that exhorts them to understand consuming difference in relation to its broader societal impacts and to take responsibility for the consequences of their consumption choices.

   Between Cultural Appreciation and Cultural Appropriation: Self

   academic.oup.com/jcr/article/50/5/962/7100345

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   Do works of cultural appropriation inherit the aesthetic demerit of inauthenticity?

   • Rudinow and Young both focus their discussions on whether or not there are aesthetic demerits that a work will inherit in virtue of facts about the identity of its creator. Specifically, they focus on whether or not works of cultural appropriation will inherit the aesthetic demerit of inauthenticity.

   Cultural appropriation and aesthetic normativity | Philosophical Studies

   link.springer.com/article/10.1007/s11098-020-01475-2

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9. www.semanticscholar.org › paper › Cultural[PDF] Cultural appropriation and aesthetic normativity ...

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   May 25, 2020 · Cultural appropriation and aesthetic normativity. Phyllis Pearson. Published in Philosophical Studies 25 May 2020. Philosophy. Is it ever aesthetically permissible to engage in acts of cultural appropriation? This paper shows how recent work on aesthetic normativity can help answer this question.