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  1. May 25, 2020 · Is it ever aesthetically permissible to engage in acts of cultural appropriation? This paper shows how recent work on aesthetic normativity can help answer this question.

    • Phyllis Pearson
    • phyllis.pearson8@gmail.com
    • 2021
  2. Mar 2, 2022 · Cultural appropriation is ‘retracted’ into the dominant subject to the extent that this appropriation can be upheld in symbolic terms: as a subjective entitlement to marginalised identities that may – or crucially, may not – overlap with objective conditions of ownership.

  3. Mar 25, 2011 · Cultural Appropriation and the Arts, by James O. Young, provides an analytical, comprehensive overview of ethical and aesthetic issues concerning cultural appropriation. In his monograph, Young addresses important culture-related questions such as cultural membership, ownership and responsibilities. Thinking in aesthetic and moral categories ...

    • Marianna Bicskei
    • Marianna.Bicskei@wiwi.uni-goettingen.de
    • 2011
  4. Aug 16, 2023 · Cultural appropriation is a broad umbrella term for a number of phenomena related to the borrowing of elements of a culture other than one’s own. This chapter summarizes arguments that have been offered in recent debates among analytic philosophers and other commentators concerning the normativity of cultural appropriation.

  5. Mar 15, 2010 · In this book, James O. Young examines the accusations, moral and aesthetic, against cultural appropriation in its many forms and for the most part finds them wanting.

    • Janna Thompson
    • 2010
  6. Aug 30, 2021 · Cultural appropriation is a highly contested subject within the media and society more broadly, often provoking moral outrage. It is receiving increasing interest within the academy and the last 20 years have seen the publication of a number of important studies.

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  8. May 15, 2024 · On this account, cultural appropriation is wrong if it perpetuates the lack of social recognition of certain groups, namely those that were colonized or otherwise oppressed, as cultural contributors despite their participatory role in the development of valuable cultural objects.

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