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  1. Aug 24, 2001 · Looking at John Carpenter's filmography list I realized that I haven't really seen that many of his movies but, of the few I have seen, some were pretty good, some were really good. With that in mind I had a certain expectation of quality entertainment, especially considering the cast of action movie vets like Ice Cube , Jason Statham and Pam Grier .

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    • John Carpenter
  2. Box office. $14 million [2] Ghosts of Mars (titled onscreen as John Carpenter's Ghosts of Mars) is a 2001 American space Western [3] action horror film written, directed and scored by John Carpenter. It was produced by Screen Gems and distributed by Sony Pictures Releasing. It stars Natasha Henstridge, Ice Cube, Jason Statham, Pam Grier, Clea ...

  3. Oct 14, 2024 · Director. John Carpenter. Cast. Natasha Henstridge , Ice Cube , Jason Statham , Clea DuVall , Pam Grier , Joanna Cassidy. Main Genre. Action. Billed as an action- Western-horror hybrid, Ghosts of ...

  4. Aug 24, 2001 · It keeps you off balance, all right, but not enough to obscure the sad fact that Ghosts of Mars is a muddled, derivative disaster straight on through. Read More. By Marc Savlov FULL REVIEW. See All 26 Critic Reviews. 7. valeriiege. Even though Ice Cube reduces the movie's seriousness, it's a pretty good popcorn horror.

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    • John Carpenter
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    • Natasha Henstridge
  5. The script isn’t that good, and some of the actors totally phone in their performances. With all that being said I absolutely LOVE this movie! It’s fun, fast paced, and cheesy. Ice Cube is so ridiculous in this movie, but I love the character. It has a great cast, and the effects are pretty good.

  6. special makeup effects artist. Greg Nicotero. ... special makeup effects artist (as Gregory Nicotero) Beverly Jo Pryor. ... hair stylist: Ice Cube / makeup artist: Ice Cube. Ken Wensevic.

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  8. Sep 12, 2024 · Regrettably, any intent to pick apart the movie western or flip the patriarchal trappings of a Howard Hawks film (the society in Ghosts Of Mars is pointedly introduced as a matriarchy) are buried under some of the flattest filmmaking in Carpenter’s career. An eclectic cast fumble through indifferent dialogue, awkwardly-lensed action scenes ...

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