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- Scholars often connect Marvell’s “The Definition of Love” to John Donne’s metaphysical lyrics, due to the elaborate imagery and the neo-platonic implications of love between souls or minds that is distinct from the physical body.
www.gradesaver.com/andrew-marvell-poems/study-guide/summary-the-definition-of-loveAndrew Marvell: Poems “The Definition of Love” Summary and ...
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When read alongside Diotima’s Ladder of Love, recounted in the Symposium, Marvell’s mower poems and ‘The Definition of Love’ seem to be deeply political works. They do not, however, appear to take deeply political posi-tions. They situate their speakers and characters in terms comparable to the Ladder of Love.
Andrew Marvell's "The Definition of Love" suggests that the greatest love is an impossible one. The poem's speaker and a beloved can't be together, but by going on loving each other in spite of distance and hopelessness, they achieve a love the speaker imagines in terms of mathematical perfection.
Aug 1, 2016 · What does ‘The Definition of Love’ mean, and what is Marvell saying about love? Marvell likens the course of love to geometric lines, arguing that ‘oblique’ lines (i.e. lines which slant, or are not parallel) often meet, just as imperfect lovers will often find their match; but lines which are truly ‘parallel’ will never meet (since ...
Apr 18, 2024 · Through the use of paradoxes, Marvell’s poem explores the complex and contradictory nature of love, where desire can be born from despair and fulfillment remains out of reach. While acknowledging the limitations imposed by fate, “The Definition of Love” emphasizes the enduring power of an unfulfilled desire, highlighting the yearning for ...
The “Definition of Love” is one of the most highly regarded and widely disseminated of Marvell’s poems. Critics concur in its praise, anthologists in reprinting it.
Theme, Imagery, and Metaphysical Conceits in the Poem. The poem, ‘The Definition of Love‘ by Andrew Marvell describes the character of the poet’s love for his beloved. This love, says the poet, is perfect and therefore unattainable.
Marvell, who draws upon neo-Platonic symbolism and correspondences of geometrical forms and types of love, uses them so easily that one is unaware of his erudition.
