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This article offers an overview of a research program related to the metaphorization of music. In a short analysis, the omnipresence of metaphors in the written discourse about music is first ...
This article offers an overview of a research program related to the metaphorization of music. In a short analysis, the omnipresence of metaphors in the written discourse about music is first ...
Feb 17, 2015 · This article offers an overview of a research program related to the metaphorization of music. In a short analysis, the omnipresence of metaphors in the written discourse about music is first highlighted. After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical ...
Feb 19, 2015 · In a short analysis, the omnipresence of metaphors in the written discourse about music is first highlighted. After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical conceptualization and metaphorization; absolute and ...
- Mihailo Antovic
- 2015
May 31, 2022 · Just like the linguistic one, the musical metaphor is meant to connote, at the very least, strength, bravery, leadership, and a touch of menace. If it appeared a bit detailed, the musico-metaphorical analysis above has actually skipped many minute niceties by means of which the music weaves its programmatic narrative.
Oct 22, 2007 · Philosophy of music is the study of fundamental questions about the nature of music and our experience of it. Like any ‘philosophy of X’, it presupposes a knowledge of its target area of study. However, unlike philosophy of science, say, the philosophy of an artistic practice, such as music, is one that most people have a significant ...
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Mar 24, 2021 · In addition, measures in this study could also be represented by underlying dimensions such as valence and arousal. Musical writing and music education could benefit greatly from these results. Finally, we suggest that music researchers consider musical metaphors in their work as we provide an empirical method for it.