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Jun 11, 2019 · The exhibition, scheduled at the new Museo della Città from Nov. 7, 2019, to Feb. 16, 2020, is curated by Marc Restellini and coordinated by Sergio Risaliti, and offers the public as many as 133 works, including 26 by Modigliani (14 drawings and 12 paintings), all from the collections of Jonas Netter and Paul Alexandre, who were among the artist’s earliest patrons.
Of course it is Modigliani’s stylized interpretations of languid, melancholy women that are best-known today. But what makes many of his portraits linger in one’s memory is the unease clouding ...
Amedeo Clemente Modigliani (US: / ˌmoʊdiːlˈjɑːni /; Italian: [ameˈdɛːo modiʎˈʎaːni]; 12 July 1884 – 24 January 1920) was an Italian painter and sculptor of the École de Paris who worked mainly in France. He is known for portraits and nudes in a modern style characterized by a surreal elongation of faces, necks, and figures ...
Amedeo Clemente Modigliani (US: ; Italian: [ameˈdɛːo modiʎˈʎaːni]; 12 July 1884 – 24 January 1920) was an Italian painter and sculptor of the École de Paris who worked mainly in France. He is known for portraits and nudes in a modern style characterized by a surreal elongation of faces, necks, and figures — works that were not received well during his lifetime, but later became ...
Oct 24, 2024 · Amedeo Modigliani, Reclining Nude, 1917 Collection of the Metropolitan Museum of Art, New York. Digital image via Wikimedia Commons. Live fast, die young, and leave behind a beautiful corpse. Such ...
Jan 7, 2021 · Portrait of Pablo Picasso by Amedeo Modigliani, 1915, in a Private Collection. As mentioned, Amedeo Modigliani was well acquainted with many of the other leading lights of his artistic generation. For a period, he worked out of Picasso’s Bateau Lavoir in Montmartre. Before his untimely death, he had been able to establish a strong reputation ...
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Jun 12, 2019 · AKG Images. This portrait of an unidentified model is indeed painted with a sense of empathy, and the serene beauty characteristic of Modigliani’s most accomplished paintings of this period. The boy is seen frontally in a three-quarter length profile, seated on a simple chair with his hands crossed on his lap, his head slightly tilted to one ...
