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Mulholland Drive. 2001 · 2 hr 27 min. R. Thriller · Drama · Mystery. In a surreal, dreamlike Los Angeles, a woman loses her memory and is joined by an aspiring actress in the search for her forgotten identity. Subtitles: English. Starring: Naomi Watts Laura Harring Ann Miller Dan Hedaya Justin Theroux Brent Briscoe Robert Forster Katharine ...
- David Lynch
- January 1, 2001
- Naomi Watts
Mulholland Drive: Directed by David Lynch. With Naomi Watts, Jeanne Bates, Dan Birnbaum, Laura Harring. After a car wreck on Mulholland Drive renders a woman amnesiac, she and a Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
- (388K)
- Drama, Mystery, Thriller
- David Lynch
- 2001-10-19
Mulholland Drive (stylized as Mulholland Dr.) is a 2001 surrealist neo-noir mystery film written and directed by David Lynch, and starring Justin Theroux, Naomi Watts, Laura Harring, Ann Miller, and Robert Forster. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an ...
Feb 11, 2017 · Ahead of the greatly anticipated return of the truly great Twin Peaks, take in an equally gorgeous and dark entry from the David Lynch canon, Mulholland Drive.The 2001 film boasts standout ...
- Conrad Doucette
- Mulholland Drive Explained - What Is The Dream Theory?
- Which Clues Reveal It’S A Dream?
- What Do Betty and Rita represent?
- What Happens in The Car Crash?
- Who Is The Hitman?
- Who Is The ‘Monster’ Behind The Winkie’S?
- Who Are The Old Couple - and What Do They Mean in The Film?
- What Happens at The End of Mulholland Drive?
According to one of the most common - and surprisingly coherent - interpretations of Lynch’s film, the first part of Mulholland Drive is best understood as a dream sequence, in which elements of the ‘real’ story are explored in heightened or distorted ways, until the protagonist Diane wakes up. It’s a clever play, too, on Hollywood as a dream facto...
Just before the film’s opening credits, we see a bed with red sheets, arguably our first hint that what is about to unfold is happening in the dream world; the same bed and sheets are later seen when Betty and Rita visit the apartment with the dead body, and then again when Betty / Diane wakes from the dream. The character Louise, the next-door nei...
One way of looking at Mulholland Drive’s first section is as a comment on Hollywood movie-making, and how the industry can flatten stories and characters into easily digestible tropes and characters as a way of making sense of the world. It follows then, that both Betty and Rita, the dream versions of the more fraught and complicated Diane and Cami...
We first meet Rita when she is sitting in the back of a limo, and is surprised when the driver pulls over at an unexpected stop along Mulholland Drive, up in the Hollywood Hills. A man in the front of the car pulls out a gun, and it seems that he is about to shoot her - perhaps foreshadowing Camilla’s actual death offscreen at the hands of the hitm...
In the film’s first section, Joe (Mark Pellegrino) is a clumsy hitman who messes up an attempt to steal a little black book, killing not only the target but a woman in the next room, and the janitor who witnesses the murder, before triggering the fire alarm. It’s a darkly comic sequence where the slapstick humour sits unsettlingly alongside the spa...
Towards the beginning of the film, a man named Dan, who is sitting in a Winkie’s diner, explains that he had a nightmare where he saw a terrifying figure behind the same restaurant. When he checks around the back, the strange man appears, causing him (and probably viewers of a nervous disposition) to collapse in fright. The same man appears again t...
We first meet Betty when she emerges from LAX airport, accompanied by an old lady, who we soon learn is named Irene, and an elderly man. The pair reiterate how nice it was to travel with Betty, and wish her well in her attempts to crack Hollywood, promising to watch out for her “on the big screen”. It seems like a sweet farewell, but this is a Lync...
Cornered by the vision of the old couple, Diane reaches into a drawer to pull out a gun, then shoots herself. After Diane dies and everything fades to black, we see her and Camilla’s - or should that be Betty and Rita’s? - smiling faces superimposed over the bright lights of Los Angeles. It’s reminiscent of an old-fashioned movie poster, as if Dian...
- 1 min
Aug 23, 2016 · Mulholland Drive’s own troubled history, and the studio politics and power plays depicted by Lynch in the film itself, hardly feel like coincidences. Under its dream-like veneer, Mulholland ...
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Oct 12, 2001 · Mulholland Drive. 146 minutes ‧ R ‧ 2001. Roger Ebert. October 12, 2001. 4 min read. David Lynch has been working toward "Mulholland Drive" all of his career, and now that he's arrived there I forgive him "Wild at Heart" and even " Lost Highway." At last his experiment doesn't shatter the test tubes. The movie is a surrealist dreamscape in ...
