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- The movie Mulholland Dr., released in 2001 and directed by David Lynch, was shot on film using Panavision Panaflex Platinum Camera and Panavision Primo Primes Spherical Lenses with Peter Deming as cinematographer and editing by Mary Sweeney.
Mulholland Drive (stylized as Mulholland Dr.) is a 2001 surrealist neo-noir mystery film written and directed by David Lynch, and starring Justin Theroux, Naomi Watts, Laura Harring, Ann Miller, and Robert Forster.
Nov 4, 2021 · The enigmatic neo-noir Mulholland Drive — directed by David Lynch and shot by Peter Deming, ASC — began as the 1999 pilot for a proposed ABC TV series. When the show was not picked up, it was turned into a feature film with supplemental material shot a year and a half later, and released in theaters on October 19, 2001.
Jun 16, 2019 · The movie Mulholland Dr., released in 2001 and directed by David Lynch, was shot on film using Panavision Panaflex Platinum Camera and Panavision Primo Primes Spherical Lenses with Peter Deming as cinematographer and editing by Mary Sweeney.
- (3)
- October 31, 2024
- David Lynch
Oct 29, 2024 · Mulholland Drive, which stars Naomi Watts, Laura Harring, and Justin Theroux, received widespread critical acclaim and was named the best film of the 21st century in a poll of critics commissioned by the British Broadcasting Corporation (BBC) in 2015.
Mulholland Drive: Directed by David Lynch. With Naomi Watts, Jeanne Bates, Dan Birnbaum, Laura Harring. After a car wreck on Mulholland Drive renders a woman amnesiac, she and a Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
- (388K)
- Drama, Mystery, Thriller
- David Lynch
- 2001-10-19
Aug 23, 2016 · Why has Mulholland Drive topped BBC Culture’s poll of the greatest films of the 21st Century? Luke Buckmaster explains. It puzzles viewers but delights critics.
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Oct 21, 2016 · This list will look to explain exactly why, despite many able contenders, Mulholland Drive deserves to top BBC Culture’s poll and why it is a masterpiece of American cinema. 1. Lynch manipulates our expectations like other directors manipulate lighting.