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2002 DVD edition insert Giving the film only the tagline "A love story in the city of dreams", David Lynch has refused to comment on Mulholland Drive ' s meaning or symbolism, leading to much discussion and multiple interpretations. The Christian Science Monitor film critic David Sterritt spoke with Lynch after the film screened at Cannes and wrote that the director "insisted that Mulholland ...
Jul 5, 2018 · Now, at its surface and stripping the film down to the most banal meaning, ‘Mulholland Dr.’ is a movie about a struggling Hollywood actress, period. That much is evident in the first few shots of the movie. But therein lies the genius of David Lynch. It is like a perfect starter to a sumptuous main-course.
Oct 29, 2024 · The nonlinear, dreamlike structure of Mulholland Drive is apparent from the beginning of the film. The viewer sees couples jitterbugging, overlaid with an image of a smiling blonde woman, then a rumpled bed and a street sign marking Mulholland Drive. The camera follows a limousine on a winding road at night.
Nov 4, 2021 · The enigmatic neo-noir Mulholland Drive — directed by David Lynch and shot by Peter Deming, ASC — began as the 1999 pilot for a proposed ABC TV series. When the show was not picked up, it was turned into a feature film with supplemental material shot a year and a half later, and released in theaters on October 19, 2001.
Apr 1, 2023 · Yet, this setting slowly unravels as the film progresses, revealing the cracks in the movie industry’s cruel and unforgiving surface. At its core, Mulholland Drive is a film about the American Dream, one of Lynch’s favourite topics to explore within his work. Mulholland Drive is divided into two realms: reality and Diane’s dream world ...
Set in motion by a car crash on Mulholland Drive, Los Angeles, Lynch’s 2001 film stars Naomi Watts and Laura Harring in dual roles, with a cast that also includes Justin Theroux.
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Jan 27, 2019 · Mulholland Drive is no exception: within a filmography in which it’s almost impossible to choose movies significantly better than others – except for the unfortunate Dune – the above-mentioned movie represents the pinnacle of Lynchian poetics. The point of no return, a limit beyond which the author’s aestethics can’t go any further.
