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Mulholland Drive (stylized as Mulholland Dr.) is a 2001 surrealist neo-noir mystery film written and directed by David Lynch, and starring Justin Theroux, Naomi Watts, Laura Harring, Ann Miller, and Robert Forster. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an ...
Aug 23, 2016 · Mulholland Drive’s own troubled history, and the studio politics and power plays depicted by Lynch in the film itself, hardly feel like coincidences. Under its dream-like veneer, Mulholland ...
Mulholland Drive is a product of a moment in David Lynch's career as an artist. The confluence of many things, such as his past films, his experience with the Hollywood industry, and his personal life all led him to make this specific movie at that specific moment in time.
Apr 1, 2023 · At its core, Mulholland Drive is a film about the American Dream, one of Lynch’s favourite topics to explore within his work. Mulholland Drive is divided into two realms: reality and Diane’s dream world. The dream world comes first, although clues that we’re witnessing an idealised fantasy are dropped throughout, with these motifs, such ...
Jul 5, 2018 · Now, at its surface and stripping the film down to the most banal meaning, ‘Mulholland Dr.’ is a movie about a struggling Hollywood actress, period. That much is evident in the first few shots of the movie. But therein lies the genius of David Lynch. It is like a perfect starter to a sumptuous main-course.
Oct 29, 2024 · Mulholland Drive, American surrealist thriller and neo-noir film, released in 2001, that is considered one of director David Lynch’s finest works. The movie is noted for its dreamlike, nonlinear structure and its exploration of the dark side of the so-called Hollywood dream factory.
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Jan 4, 2024 · And yet, despite Mulholland Drive providing fertile ground for a plethora of nuanced readings, critics and viewers have reached a consensus when it comes to understanding the film’s primary plot (the key to deciphering which resides in an actual key): the first two-thirds of the film are a dream and the last third is the somber reality. A reality so bleak that we are invited to spend the ...