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Mulholland Drive (stylized as Mulholland Dr.) is a 2001 surrealist neo-noir mystery film written and directed by David Lynch, and starring Justin Theroux, Naomi Watts, Laura Harring, Ann Miller, and Robert Forster. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an ...
Aug 23, 2016 · Mulholland Drive’s own troubled history, and the studio politics and power plays depicted by Lynch in the film itself, hardly feel like coincidences. Under its dream-like veneer, Mulholland ...
Nov 4, 2021 · The enigmatic neo-noir Mulholland Drive — directed by David Lynch and shot by Peter Deming, ASC — began as the 1999 pilot for a proposed ABC TV series. When the show was not picked up, it was turned into a feature film with supplemental material shot a year and a half later, and released in theaters on October 19, 2001.
Oct 29, 2024 · The nonlinear, dreamlike structure of Mulholland Drive is apparent from the beginning of the film. The viewer sees couples jitterbugging, overlaid with an image of a smiling blonde woman, then a rumpled bed and a street sign marking Mulholland Drive. The camera follows a limousine on a winding road at night.
Sep 28, 2022 · Despite the initial go-ahead, the series was ditched over disagreements on running time and content. Instead, Lynch turned his pilot episode into a film using funding from Studio Canal. The result was Mulholland Drive , a two-and-a-half-hour surreal, non-linear tale of the dark side of Hollywood, starring Naomi Watts and Laura Harring.
Jan 4, 2024 · Filmmaker Magazine’s Scott Macaulay speaks with the director about his dreamy depiction of life beneath the Hollywood sign, Mulholland Drive. ~ ~ ~ Could you talk about the process you went through to re-conceive Mulholland Drive from a TV series into a feature film? Mulholland Drive started as an open-ended pilot. At a certain point, ABC saw ...
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Oct 24, 2014 · At the time we wrote the list, David said the following about Lynch’s film: “The movie flirts with being a conventional whodunit. Then—this is what makes it horror—the story line splinters ...
