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2002 DVD edition insert Giving the film only the tagline "A love story in the city of dreams", David Lynch has refused to comment on Mulholland Drive ' s meaning or symbolism, leading to much discussion and multiple interpretations. The Christian Science Monitor film critic David Sterritt spoke with Lynch after the film screened at Cannes and wrote that the director "insisted that Mulholland ...
Oct 24, 2014 · True, Mulholland Drive doesn’t fit into any of today’s typical horror subgenres: It’s not a slasher movie, it’s not a monster flick, and there’s no haunted house. The only zombies ...
Oct 21, 2016 · An analysis of the film’s narrative further positions Mulholland Drive as being a champion of American independent cinema as the fact that the film is virtually impossible to understand on first viewing is perhaps more anathematic than anything to dominant Hollywood cinema and the capitalist ideology it is implicit in. Lynch’s decision to center the film on a lesbian relationship also has ...
I recently watched Mulholland Drive for the first time after reading about how it is considered one of the best, if not the best, movie of modern times. I knew not to expect a straightforward crowd-pleaser or anything like that, and I’d seen a season of Twin Peaks so I had some familiarity with Lynch, but I came away not understanding at all why it’s considered such a masterpiece.
But the film is also a love letter to that very same studio system. I believe that Mulholland Drive is a film that could have only been made by someone who sincerely loves classic American film making. Notice how he makes use of veteran Hollywood actors like Ann Miller, Lee Grant, and Chad Everett.
Jan 27, 2019 · Mulholland Drive is no exception: within a filmography in which it’s almost impossible to choose movies significantly better than others – except for the unfortunate Dune – the above-mentioned movie represents the pinnacle of Lynchian poetics. The point of no return, a limit beyond which the author’s aestethics can’t go any further.
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Set in motion by a car crash on Mulholland Drive, Los Angeles, Lynch’s 2001 film stars Naomi Watts and Laura Harring in dual roles, with a cast that also includes Justin Theroux.
