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Jun 19, 2014 · A metallic blue box drops to the carpet: this sequence, nearly two hours into David Lynch’s Mulholland Drive (2001), opens up a seam in what has for the most part been a linear narrative and annihilates the viewer’s expectations of solving the mystery that has to this point driven the events in the film. At the very moment that viewers might anticipate a resolution to what has seemed to be ...
- Clint Stivers
Sep 9, 2021 · Mulholland Drive is essentially about the dark side of theatricality and theatrical illusions. And it doesn’t make sense trying to rearrange its scenes into a linear narrative, because it’s ...
- Jakob Zaaiman
2002 DVD edition insert Giving the film only the tagline "A love story in the city of dreams", David Lynch has refused to comment on Mulholland Drive ' s meaning or symbolism, leading to much discussion and multiple interpretations. The Christian Science Monitor film critic David Sterritt spoke with Lynch after the film screened at Cannes and wrote that the director "insisted that Mulholland ...
Jun 15, 2014 · Both films share many motifs and themes as well as other elements, such as non-linear narrative structure, the extensive use of the color red, and interpretations of vintage songs. The beginning grabs our attention with an awesome surreal jitterbug dance scene, warning the viewer that the movie is not going to be the usual Saturday night feature you can enjoy with your family.
Jul 23, 2024 · Mulholland Drive is a mystery/thriller/detective film, a non-linear narrative, a film-noir masterpiece — but even more importantly, it is a David Lynch film. David Lynch is known for his unique ...
- Syed Zain
On face value, with MULHOLLAND DRIVE he taunted audiences with his most impenetrable conundrum yet. I say on face value because, in spite of vitriolic accusations by some that the film is an unintelligible mess of phenomenal proportion, it takes only a modicum of focus to reveal a thought-provoking cinematic tapestry of the highest standing.
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Jul 28, 2023 · Mulholland Drive accident - Bar talk - Betty arrives. Even before the opening credits, we see a group of people dancing – it must be the sixties, the madness of rock and roll and swing. The shadows of these people seem to have lives of their own; although they seem to faithfully reflect the dancers’ movements, they seem to have a slightly irritating delay, which introduces an element of ...
