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    • Mulholland Drive | Film Locations
      • Filmed around Los Angeles, Mulholland Drive was intended as the pilot for a TV series, à la Twin Peaks, and though hurriedly wrapped up to become a feature film, it’s still David Lynch at his nightmarish best.
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  1. Jan 5, 2018 · Mulholland Dr. (2001) location shot. A bright-eyed and bushy-tailed Betty lands at LAX, Los Angeles’ largest and busiest airport. Lynch films her arrival from the taxi rank outside, where she hands her bags to her mustachioed cabbie. Behind him, you can make out the zone 5 parking sign.

  2. Oct 13, 2021 · But from Eraserhead to Lost Highway, from Wild at Heart to Inland Empire, no Lynch movie is more steeped in the lore and love of cinema, the light and the shadows of the city, than Mulholland...

    • Jared Cowan
  3. The silent brother is Angelo Badalmenti, the composer of the haunting jazzy scores of many of David Lynch ’s movies. Mulholland Drive location: the entrance to 'Club Silencio': rear of the Palace Theatre, South Spring Street, Downtown Los Angeles.

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  4. Feb 1, 2022 · David Lynch's Mulholland Drive has several carefully hidden clues that could help viewers figure out its meaning, including one that played out early on.

  5. Apr 15, 2017 · Mulholland Drive runs for fifty miles along a ridge of the Santa Monica Mountains, 1,400ft above sea level. To the west it terminates at the Pacific Ocean and to the east at the Cahuenga Pass, while the road divides the San Fernando Valley in the north from the Los Angeles Basin in the south.

  6. Dec 25, 2015 · The Mulholland Drive director has a cinematic and narrative style all his own, which pushes boundaries and creates imaginative, otherworldly images that stay with audiences long after the screen goes black. Other films, as well as clothes, people, towns, and more have been described as "Lynchian", but what the hell does that even mean?

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  8. Sep 17, 2023 · Mulholland Drive diner scene. Here, Lynch shoots in yet another retro setting, but in near total daylight. The visuals have a level of terror because Lynch and cinematographer Peter Deming chose to have the camera constantly floating. It’s eerie and builds tension, and perfectly prepares us for a haunting jumpscare.

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