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- Yes, it's one of those movies. Tropes featured in Mulholland Dr. include: Aborted Arc: Due to the fact that the movie was originally intended to be a TV series, several storylines basically go nowhere; see also The Artifact. All Just a Dream: Everything up until Rita opens the box.
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Jul 5, 2018 · Locking the box would mean hiding the reality, and constructing her fantasy. So when Rita opens the box, the dream falls apart. The blue box appears in Betty/Diane’s lap at the end of the opera. As I pointed out earlier, this is the culmination of her fantasy. Or rather, it signifies Diane/Betty waking up.
Mulholland Drive (stylized as Mulholland Dr.) is a 2001 surrealist neo-noir mystery film written and directed by David Lynch, and starring Justin Theroux, Naomi Watts, Laura Harring, Ann Miller, and Robert Forster. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an ...
- The First Half of The Movie Is A Dream
- The Whole Thing Is A Dream
- Broken Dreams in Hollywood
- The Fantasy vs. Reality of A Relationship
- Personal Identity
- Möbius Strip
- Betty Is Diane’s Projection of A Happier Life
- Nostalgia vs. The Putrefaction of Hollywood
- Lesbian Identity
- It Defies Explanation
Perhaps the most common reading of Mulholland Drive is that the first half of the movie is a dream. It’s all over the place, it doesn’t make sense, and like the glitz of the town it explores, it’s not restricted by the need to be realistic. The second half of the movie, on the other hand, represents a tough reality crashing down upon the carefree d...
Contrary to the reading that only the first half of the movie is a dream, some commentators believe that the entire movie is a dream. According to Justin Theroux, David Lynch made the movie by listening to his subconscious, and is therefore happy to let viewers come up with any interpretation they like; there is no right or wrong answer. This is th...
Rather than focusing on the ambitions of any one character, Mulholland Drivecan be read as a general treatise on the seductive allure of Hollywood. The shot of Los Angeles seen after Rita’s car crash has been seen to represent the endless opportunities that the city has to offer. RELATED: 10 Movies David Lynch Almost Directed The tragic ending of M...
Relationships are strange. Whether we’re actually in them or looking back on them, they’re not tangible things. A relationship is a bond between two people, and our mental conceptions of them can be wildly different than how they actually are. The first half of Mulholland Drivecan be seen as the idealized fantasy version of the relationship between...
Identity is a curious subject. People don’t really know who they are, and figuring out who we are is an ongoing and ultimately futile endeavor, because we’re constantly changing and the endless search for our identity is what shapes our identity. Underneath the explorations of the film industry and Lynch’s indifference toward big Hollywood studios,...
Some viewers have compared the structure of Mulholland Drive to a Möbius strip. Jean-Luc Godard famously said, “A story should have a beginning, a middle, and an end, but not necessarily in that order.” But what if, in Mulholland Drive, that’s not the case? A Möbius strip has one continuous side, twisting forever, with no beginning or end. The same...
One popular theory about the duality of Betty and Diane is that Betty is Diane’s projection of a happier life. Diane is miserable, working a dead-end job as a waitress at Winkie’s. Betty is a bright-eyed aspiring actress who arrives in Hollywood, gets to live rent-free at her aunt’s awesome house, and lands a major role almost immediately. Betty’s ...
During a press conference at 2001’s New York Film Festival, where Mulholland Drivewas screened, David Lynch used the word “putrefaction” a number of times. The term literally refers to the rot and decay of corpses, but Lynch refers to the putrefaction of Hollywood. RELATED: 10 Best Performances In David Lynch Films In Mulholland Drive, Lynch posits...
The female relationships in Mulholland Drive – Betty and Rita, and Diane and Camilla, but particularly the former – have been compared to those found in Ingmar Bergman’s Persona and Robert Altman’s 3 Women. Betty and Rita have one of the most positive relationships in David Lynch’s filmography (often marked by turbulent, unhealthy relationships), w...
Although David Lynch insists that, unlike some of his other movies (e.g. Lost Highway), Mulholland Drive does have a coherent plotthat can be understood. But do we really want to understand it? What makes Mulholland Drivea masterpiece is that the only thing that makes sense about it is that it’s truly hypnotic. Viewers can watch it over and over ag...
Apr 1, 2023 · She takes residence in her aunt’s vacant house, where Camilla appears as ‘Rita’ following a car accident on Mulholland Drive that has left her with amnesia. This sets up the perfect meeting between the two in Diane’s dream world.
I guess the series would have been focused on Betty & Rita finding Rita's true identity. I suspect the "Betty being Diane" angle must have been introduced to give the film that conclusion that wouldn't have been present in the pilot.
Nov 30, 2014 · Shortly after we witness the then-unknown brunette (Rita) narrowly avoid assassination on Mulholland Drive, the film makes a shift in setting and lighting as Betty is introduced.
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Jun 19, 2014 · Perhaps Betty is at her most naïve, however, when she suggests that they might figure out Rita’s identity by walking around L.A. on foot to look for Mulholland Drive, the place where Rita thinks she might have been travelling when she was in the accident that caused her amnesia.
