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2002 DVD edition insert Giving the film only the tagline "A love story in the city of dreams", David Lynch has refused to comment on Mulholland Drive ' s meaning or symbolism, leading to much discussion and multiple interpretations. The Christian Science Monitor film critic David Sterritt spoke with Lynch after the film screened at Cannes and wrote that the director "insisted that Mulholland ...
Apr 1, 2023 · At its core, Mulholland Drive is a film about the American Dream, one of Lynch’s favourite topics to explore within his work. Mulholland Drive is divided into two realms: reality and Diane’s dream world. The dream world comes first, although clues that we’re witnessing an idealised fantasy are dropped throughout, with these motifs, such ...
Nov 4, 2021 · The enigmatic neo-noir Mulholland Drive — directed by David Lynch and shot by Peter Deming, ASC — began as the 1999 pilot for a proposed ABC TV series. When the show was not picked up, it was turned into a feature film with supplemental material shot a year and a half later, and released in theaters on October 19, 2001.
I guess the series would have been focused on Betty & Rita finding Rita's true identity. I suspect the "Betty being Diane" angle must have been introduced to give the film that conclusion that wouldn't have been present in the pilot. Remember that Rita thinks her name might be Diane Selwyn at one point in the film.
May 29, 2013 · The whole idea of this theory can be explained in two stages of the film. The first stage is the mystery style detective genre with Betty and Rita. The second is the realisation that the ...
Jun 19, 2014 · WOOOOSH – Zoom deep into blackness. Thump. A metallic blue box drops to the carpet: this sequence, nearly two hours into David Lynch’s Mulholland Drive (2001), opens up a seam in what has for the most part been a linear narrative and annihilates the viewer’s expectations of solving the mystery that has to this point driven the events in the film.
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According to Lynch's enigmatic DVD ‘Synopsis’, Mulholland Drive has a tripartite structure, which I suggest we can summarise as follows: 1. ‘She Found Herself the Perfect Mystery’ (Diane's dream/fantasy: Rita's car crash, the Mafia subplot, the mystery of Rita's identity, and discovery of a woman's corpse); 2.
