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1. www.academia.edu › 6976101 › 2013_Conceptualising2013 - Conceptualising Music: Metaphors of Classical Music...

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   Metaphors and metaphorical expressions in music reviews No. 1 Metaphor MUSICAL MOTION No. of ME 242 MUSIC IS THE PERFORMERS/LISTENERS MOVING ALONG A LANDSCAPE, 104 MUSIC IS A MOVING OBJECT, 66 MUSIC IS A MOVING FORCE, 3 2 MUSIC IS A CONTAINER 233 MUSICAL WORK/WORKS IS A CONTAINER, 107 MUSICAL MOVEMENT IS A CONTAINER, 45 (1) (…) the moonlight graciousness of the middle movement.

   • Author: Totilė Levandauskaitė, Inesa Šeškauskienė

2. link.springer.com › chapter › 10Form, Meaning and Intentionality: The Case of Metaphor in Music

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   May 31, 2022 · With an aim to suggest that the use of metaphor at the same time constrains the broad array of musical interpretations and allows for vast creativity in the music reception process, the model proposes six hierarchically interrelated levels of meaning generation that motivate musical metaphor, spanning perceptual constraints, cross-modal interactions, affective responses, construction of ...

   • Email: antovicm@hu-berlin.de

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4. storyarcadia.com › metaphors-about-music-bridgingMetaphors About Music: Bridging Abstract Sounds and Language

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   Feb 2, 2024 · Common metaphors likening music to a universal language or an adventurous journey not only shape our perception but also deepen our emotional connection to melodies and harmonies. Through the words of renowned artists, we’ve seen how metaphorical expressions can encapsulate the spirit of a composition or an entire musical philosophy.

5. www.academia.edu › 1020435 › Conceptual_Metaphor_asConceptual Metaphor as a Central Process in the Perception ...

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   Conceptual Metaphor and its Implications for Music: The conception of metaphor in linguistics contradicts the conception of metaphor from literary studies in fundamental ways: Metaphor is not a mere stylistic device, but is an experiential and conceptual process, in which we use properties, relations and entities that characterize one domain of experience/knowledge (Source Domain) to ...

   • Author: Alexandra Jandausch

6. www.researchgate.net › publication › 233920350Conceptual Metaphor Theory and the Conceptualization of Music

   www.researchgate.net › publication › 233920350

   May 26, 2012 · Besides time is motion, another conceptual metaphor that may motivate the perception of music in terms of motion is change is motion (Jandausch, 2012; Johnson & Larson, 2003;Pérez-Sobrino ...

   • Author: Alexandra Jandausch

7. academic.oup.com › bjaesthetics › articlePerception of Music: Sources of Significance | The British ...

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   Jul 1, 2009 · The metaphor is exploited in the perception, rather than being represented. This account is developed and deployed to address some classical issues about music, including Wagner's point that the emotions expressed need not be those of a particular person on a particular occasion, and the widely accepted point that what is significant in a piece of music cannot be translated into any other medium.

8. People also ask

   Is music perception a metaphor?

   • According to some, and more controversially, even pre-linguistic music perception may be considered metaphorical, as the “metaphor [...] defines the intentional object of musical experience” (Scruton, 1999: 92, italics mine). 3. Circular pitch representation is not a novelty in music cognition. One may recall Shepard’s ( 1982) helix model of pitch.

   Form, Meaning and Intentionality: The Case of Metaphor in Music - Spri…

   link.springer.com/chapter/10.1007/978-3-030-90688-7_26

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   What is a metaphor in music?

   • (R38) MUSIC IS A CONTAINER metaphor Another metaphor within the MUSICAL MOTION metaphor, underlying a large number of metaphorical expressions, is MUSIC IS A MOVING OBJECT. The emergence of such metaphor in our reasoning about music can be explained in reference to music as a temporal experience; i.e. as an experience located in time.

   (PDF) 2013 - Conceptualising Music: Metaphors of Classical Music

   www.academia.edu/6976101/2013_Conceptualising_Music_Metaphors_of_Classical_Music_Reviews

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   What is the role of conceptual metaphor in emotion response to music?

   • Model for role of conceptual metaphor (CM) in emotion response to music. CM acts at different key nodes along the series of perceptual, cognitive, and affective events characterising human engagement with music.

   Metaphor and music emotion: Ancient views and future directions

   www.sciencedirect.com/science/article/pii/S1053810016301696

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   Is metaphor a mediating mechanism between music and emotion?

   • Our central proposition is that one potential mediating mechanism between music and emotion is metaphor. We support our suggestion by tracing back the discourse on metaphor to antiquity, and highlighting metaphor’s long-acknowledged significance as a device that promotes an awareness of relations between objects.

   Metaphor and music emotion: Ancient views and future directions

   www.sciencedirect.com/science/article/pii/S1053810016301696

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   What is a musical landscape metaphor?

   • The MUSICAL LANDSCAPE metaphor is based on our understanding of music as a landscape, or as something through which the observer (and listener) moves. This, according to Johnson (ibid., p. 250), explains expressions like we are coming to the coda or once you reach the refrain; the dissonant part is behind you.

   (PDF) 2013 - Conceptualising Music: Metaphors of Classical Music

   www.academia.edu/6976101/2013_Conceptualising_Music_Metaphors_of_Classical_Music_Reviews

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   Is music discourse structured by a musical motion metaphor?

   • (R11) As a result, the analysis confirmed the assumptions made by more traditional cognitivists, Johnson and Larson (2003; also cf. Johnson, 2007), that music discourse is structured by the MUSICAL MOTION metaphor to a very large extent.

   (PDF) 2013 - Conceptualising Music: Metaphors of Classical Music

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9. www.sciencedirect.com › science › articleMetaphor and music emotion: Ancient views and future directions

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   Aug 1, 2016 · Metaphors and CM may act as a bidirectional conduit between music perception and emotion experience, contributing to the transition from the former to the latter (e.g. in a listener being moved as a result of perceiving emotion as being expressed in music), or from the latter to the former (e.g. in a composer adopting certain metaphoric or stylistic devices in order that the score may express ...