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PH Cinema is not dead — it is changing and evolving. Since the onset of Covid-19, the Philippine film industry has faced incredible drawbacks — from the continued closure of cinemas which affected the production of local films, to the challenges plaguing the safe conduct of production activities and onsite events.
Sep 26, 2021 · Read this in The Manila Times digital edition. Since the onset of Covid-19, the Philippine film industry has faced incredible drawbacks — from the continued closure of cinemas which affected the production of local films, to the challenges plaguing the safe conduct of production activities and onsite events. This has undeniably put a damper ...
Oct 21, 2022 · Cinema, while still a relatively young art form here, has gained the admiration of filmmakers around the world for decades, going back to the Philippines' first golden age of cinema in the '50s (I think of Gerardo De Leon and Manuel Conde and Lamberto Avellana) to its second in the '70s (the Brockas and the Bernals or an Eddie Romero come to mind).
Jan 24, 2024 · Even though it may still be too early to see a new golden age in Philippine cinema, at least, the local movie industry has been revitalized, and a new collective endeavor is being undertaken ...
Netflix reports a 60 percent increase in shares and $235 billion-worth of new subscriptions. New streaming platforms have offered competition to respond to the growing demand. New situations give birth to the emergence of new trends. Even pre-pandemic, the Philippine film industry is in constant flux.
Apr 26, 2022 · As Mary Liza B. Diño, Chairperson and CEO of the Film Development Council of the Philippines (FDCP), reported in the webinar sponsored by the American Chamber, there are a signi fi cant number of Philippine government programs for the fi lm industry in the Philippines. Pursuant to RA 9167, the FDCP was instituted as the national agency under the Office of the President responsible for film ...
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Aug 28, 2019 · Matti lamented that most local films have “rehashed” concepts that kept on centering around love triangles, May-December affairs and boy-girl commitment issues. He also mentioned that even stories about children and old people are “clichéd.”. The director also observed that the film industry is in “steady middling mode.”.