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    • Very good performance

      • The Saint-Saëns Organ Symphony is a very good performance, though Edo de Waart improved on it still further both interpretively and sonically in his San Francisco remake.
      www.classicstoday.com/review/review-9577/
  1. The Saint-Saëns Organ Symphony is a very good performance, though Edo de Waart improved on it still further both interpretively and sonically in his San Francisco remake.

  2. Like most documents of “occasions”, you have to take the good with the bad. I need to stress that as usual the orchestra plays fabulously, and both the Barber and Poulenc are pretty terrific. But by the same token the main item is the symphony, and Eschenbach is simply out of his element here.

  3. Jun 2, 2020 · One of the great challenges to recording engineers, the Saint-Saëns Organ Symphony has an impressive number of recorded failures, but also, happily, quite a few notable successes.

    • 14 min
    • 26.9K
    • The Ultimate Classical Music Guide by Dave Hurwitz
  4. A) Saint-Saëns is totally underrated around here. While I am generally a modernist (especially relative to this sub), I have a soft spot for C S-S as I feel like, as "conservative" as he was, he wrote what he wrote extremely well and yet he never gets the love from the "Chopinrocks!" or "RachmaninRoll!"

  5. Nov 9, 2021 · For a new kind of symphony, Saint-Saëns needed a new orchestra, which he achieved with the introduction of organ, piano and the Lisztian triangle. While he waxed hot and cold over Wagner in print, the lush harmonies of the symphony's Adagio would be unimaginable without the recent example of Parsifal's Good Friday Meadows.

  6. The only drawback, and this almost always is the case in the Saint-Saëns Third, is the organ, which, though refreshingly recorded in the same space and time as the orchestra, sounds bright and over-reverberant, oddly lacking sufficient bass.

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  8. The Symphony No. 3 in C minor, Op. 78, was completed by Camille Saint-Saëns in 1886 at the peak of his artistic career. [1] It is popularly known as the Organ Symphony, since, unusually for a late-Romantic symphony, two of the four movements use the pipe organ.

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