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  1. Aug 22, 2021 · The Vertigo plot begins with a harrowing action sequence. We follow detective John “Scottie” Ferguson (played by James Stewart) in the midst of a rooftop chase. He slips and a fellow officer reaches down to help him, but Scottie is paralyzed with acrophobia and the other officer falls to his death.

  2. Oct 13, 1996 · Vertigo” (1958), which is one of the two or three best films Hitchcock ever made, is the most confessional, dealing directly with the themes that controlled his art. It is *about* how Hitchcock used, feared and tried to control women.

  3. Sep 2, 2020 · Vertigo, shot in San Francisco, has a stunning cinematography, complex characters and a storyline that feels like a novel, versus some of Hitchcock’s movies that are based on plays. It has a super high rating on IMDB , an 8.3 at the time of this blog post.

  4. Vertigo is a very clever movie about a long con reverse engineered from the protagonist's inability to look down from heights without getting dizzy and nauseous. It basically gives him a panic attack to look down from even a step ladder.

  5. Ver­ti­go is the great­est motion pic­ture of all time. Or so say the results of the lat­est round of respect­ed film mag­a­zine Sight & Sound ’s long-run­ning crit­ics poll, in which Alfred Hitch­cock­’s James Stew­art- and Kim Novak- (and San Fran­cis­co-) star­ring psy­cho­log­i­cal thriller unseat­ed Cit­i­zen ...

  6. Mar 4, 2024 · Alfred Hitchcock’s Vertigo (1958) is now considered the greatest film of all time according to the critics that voted in the British Film Institute’s 2012 Sight & Sound poll. The survey, which is compiled once a decade, saw Hitchcock bumping Orson Welles’ Citizen Kane, which had held the spot for 50 years.

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  8. Jan 14, 2017 · Mostly, in a critical re-evaluation of Hitchcock’s career, critics and cinephiles have realized what a profoundly ahead-of-its-time movie it is. It’s moody, it’s romantic, it’s insane, it’s gorgeous, and it’s one-of-a-kind. Below are the eight reasons that Vertigo is Alfred Hitchcock’s unequivocal greatest film. 1.

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