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1. www.nytimes.com › 2024/01/10 › theaterThe EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com › 2024/01/10 › theater

   Jan 10, 2024 · For Jonathan Tunick, an early love of “Tubby the Tuba” led to a career as an orchestrator. He talks about his Sondheim partnership, and creating a sound that “can hint at unspoken secrets.”

2. www.nytimes.com › 2023/10/22 › theater‘Here We Are’ Review: The Last ... - The New York Times

   www.nytimes.com › 2023/10/22 › theater

   Oct 22, 2023 · The best good news about “Here We Are,” the combo platter Buñuel musical that opened on Sunday at the Shed, ... Jonathan Tunick, who have arranged themes from the earlier part of the show as ...

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4. www.nytimes.com › 2024/06/28 › theaterJonathan Tunick Unveils a Grand ... - The New York Times

   www.nytimes.com › 2024/06/28 › theater

   Jun 28, 2024 · Jonathan Tunick, Stephen Sondheim’s longtime collaborator, unveiled a grand orchestration of “A Little Night Music” that deserves more than a concert. Listen to this article · 6:11 min ...

5. artdaily.com › news › 165759The EGOT winner behind Sondheim's signature sound

   artdaily.com › news › 165759

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   Jan 13, 2024 · Jonathan Tunick, 85, has orchestrated nearly every Sondheim musical since 1970, including “Company,” “A Little Night Music,” “Pacific Overtures,” “Into the Woods” and “Passion.” (Sara Krulwich/The New York Times) by Darryn King

6. www.playbill.com › article › how-2-phone-callsHow 2 Phone Calls Changed the Life of Frequent Sondheim ...

   www.playbill.com › article › how-2-phone-calls

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   Jul 7, 2023 · The Signature Theatre honored award-winning orchestrator Jonathan Tunick with the Stephen Sondheim Award at a black-tie gala benefit April 7. Read the Playbill.com story. 24 PHOTOS

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7. www.newyorker.com › magazine › 2023/11/06Stephen Sondheim’s Last Musical, “Here We Are,” Comes to the Shed

   www.newyorker.com › magazine › 2023/11/06

   Oct 26, 2023 · For the last forty-five minutes, Sondheim’s musical presence is communicated mainly via underscoring, thanks to his gifted longtime arranger, Jonathan Tunick, and a vamp, one of his broken-in ...

8. People also ask

   Who is Jonathan Tunick?

   • Jonathan Tunick, Stephen Sondheim’s longtime collaborator, unveiled a grand orchestration of “A Little Night Music” that deserves more than a concert. Ron Raines, left, and Susan Graham in “A Little Night Music” at David Geffen Hall, where Jonathan Tunick is conducting his new orchestration of the musical. Joan Marcus

   Jonathan Tunick Unveils a Grand Orchestration of Sondheim’s ‘A Little

   www.nytimes.com/2024/06/28/theater/a-little-night-music-sondheim-lincoln-center.html

   See all results for this question

   How did Jonathan Tunick become an orchestrator?

   • For Jonathan Tunick, an early love of “Tubby the Tuba” led to a career as an orchestrator. He talks about his Sondheim partnership, and creating a sound that “can hint at unspoken secrets.” “Lighting for the ears” is how Jonathan Tunick describes the work provided by an orchestrator.

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   How did Sondheim and Tunick work together?

   • Joan Marcus The two had a miraculously simple way of working together. Sondheim would play through and sing his scores at a piano, and, based on his touch and vocal shading, Tunick would have enough to draw on for the orchestration, teasing out the sound world of each piece.

   Jonathan Tunick Unveils a Grand Orchestration of Sondheim’s ‘A Little

   www.nytimes.com/2024/06/28/theater/a-little-night-music-sondheim-lincoln-center.html

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   How did one piece of music affect Jonathan Tunick?

   • ONE PIECE OF MUSIC made a big impression on the young Jonathan Tunick: “Tubby the Tuba,” the 1945 children’s song, centers on a forlorn tuba who longs to play the melody instead of just the bass line. Much like “Peter and the Wolf,” the song highlighted the distinct characters of the individual instruments of the orchestra.

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   Does Jonathan Tunick have a nose?

   • The short answer: Jonathan Tunick. “I seem to have a nose for the theater, and it’s really like that,” Tunick, the prolific Broadway orchestrator, said during an interview in his book-lined study on the Upper West Side. “If something works, you can almost smell it.”

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   How did Jonathan Tunick create 'lighting for the ears'?

   • He talks about his Sondheim partnership, and creating a sound that “can hint at unspoken secrets.” “Lighting for the ears” is how Jonathan Tunick describes the work provided by an orchestrator. He said the orchestra can produce “its own shadings of light, darkness, warmth and texture to the music and lyrics.”

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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9. inside.bard.edu › news › new-york-times-profileThe New York Times Profiles Jonathan Tunick ’58, “The EGOT ...

   inside.bard.edu › news › new-york-times-profile

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   Jan 17, 2024 · New York Times. Profiles Jonathan Tunick ’58, “The EGOT Winner Behind Sondheim’s Signature Sound”. L-R: Jonathan Tunick ’58 and Carl Davis ’58 at their 60th Reunion. Photo by China Jorrin ’86. Listening to a demo of Stephen Sondheim’s “Losing My Mind” is a very different experience from the final product available on the ...