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  1. The book illustrates how drama education draws upon contemporary issues and their complexity, intertwining with science education in promoting scientific literacy, creativity, and empathetic understandings needed to interpret and respond to the many challenges of our times. Findings throughout the bookdemonstrate how lessons learned from drama ...

    • Dramatic Models!
    • Key Word Charades – What Am I?
    • Mini Historical Plays
    • Without Hesitation, Repetition Or Deviation!

    Get students to act out what is happening at the molecular, cellular or atomic level. This is a great opportunity to find out what students are really thinking – how does an oxygen molecule move?! Straight lines or in a wiggle? Students can either devise their own dramatic model in small groups or you can direct it by assigning roles and positionin...

    Students are given a key word on a card and have to act it out in front of the class as a mime. Classmates then guess what the word is. It’s best to give students some preparation time beforehand to improve the quality of the mime. Examples: (i) get students to act out nucleus, cell membrane, ribosome, cytoplasm and cell wall or (ii) students act o...

    Students create a short play based around one aspect of a scientist’s life which they then present to the class. Examples: students tell the story of Darwin on the Beagle, Rutherford and the discovery of atomic structureor Mendel and his peas.

    A student comes to the front of the class and talks about a topic without hesitation, repetition or deviation. This is timed using a timer on the board. It really helps if you give students a prop to talk about e.g. have a plant when talking about photosynthesis. Classmates can then put their hand up if they spot a hesitation, repetition or deviati...

  2. Jan 1, 2021 · Drama in education: why drama is necessar y. Manon van de Water1*. 1 University of Wisconsin-Madison, Madison, Wisconsin, USA. Abstract. The article dwells on the use of drama and performance ...

    • Manon Van de Water
  3. Jan 1, 2016 · Abstract. Creative drama grants students n ot only an opportunity to display their th oughts physically, orally. and written but also enables them to interpre t the expressions of peers ...

  4. Myth 2: That process drama is great as a learning medium for a range of curriculum areas, but it doesn’t support students understanding of drama. Myth 3: That process drama can’t be taught because it can’t efectively be assessed. Myth 4: That process drama is not suficiently theatrical or artistic.

  5. Sep 1, 2018 · Multimodal learning theory (c.f. Kress, 2010; Van Leeuwen, 1999) suggests that the making of meaning can be supported by different semiotic resources in different modalities, which have different affordances for meaning making. Drama uses a range of semiotic modes such as visual images, voice, music, movement, embodiment and sensory input, with the body and the voice being the main instruments ...

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  7. It is a process-oriented, improvisational, and non-exhibi-tion drama technique that can be used in many academic subjects to allow students to explore concepts (e.g., Demircioğlu 2010; McCaslin 2006). It mainly relates to improvisational activities where the participants create fictional characters and situ-ations.

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